This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.

The output of your amp is opposite of the guitar’s signal; low impedance high power. Our high-end speaker cable is made to carry a relatively high AC current and voltage from the output of your amp to the speakers. Optimal signal flow is achieved by using large diameter cable from the amp to the speakers, that’s why thin gauge speaker wire is for suckers! Made from 10 AWG (oversized straight connectors) and 12 AWG (oversized right angle connectors) stranded Oxygen Free Copper which offers very low capacitance and inductance for a pure clean warm sound The twisted-pair wire construction eliminates hum The only cable manufacturer to offer oversized right angle ends on 12 AWG wire offering a lower profile on the backs of amp heads and cabinets (12 AWG wire only) Every cable is soldered by hand using the highest quality silver solder G&H Plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable

The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly...you get the idea.   TRULY TRANSPARENT TONE The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into our Morning Glory overdrive for yourself. Then you’ll understand. - Gain control sweeps from completely clean to rock ‘n’ roll- Tame high end on brighter rigs with the side-mounted bright-cut switch- Increased headroom and output for use as a full-frequency boost   ON-THE-FLY VERSATILITY An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package. - Switch to a more powerful sound with enhanced low end and grit- Plug in your JHS Red Remote for switching between the two voices with the tap of your toe- Handy LED changes from blue to red, indicating the status of the boost circuit   VERSION HISTORY: V1 = bigger white enclosure with black knobs; no bright-cut switch; no logo.V2 = changed to smaller current enclosure; gold powder coat color.V3 = bright-cut toggle added.V4 = 2x more headroom; Gain toggle added; Red Remote system added.   THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.2"X4.8"X1.6".

Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound.  The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount. 

  Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Spanish Cedar and Korina Top: Plaine Maple, Easter Flame. 4A Flame Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Block or Trap Radius: 12” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Tone Pros Nashville + Stop Tail Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: RNRR Humuckers or Mojo Tone Filter Trons Pickguard Options: 5 Ply Black, Parch, Tort, 1 Ply Black Standard Nobs: Nickel, Bell or Speed Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

  Finish: Nitrocellulose lacquer Body: Mahogany, Spanish Cedar and Korina Neck: Mahogany, Maple and Korina Fingerboard: Rosewood or Ebony Inlays: Dot Radius: 12” or Compound 10-14” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Tone Pros Nashville + Stop Tail Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: RNRR Humuckers Pickguard Options: 5 Ply Black, Parch, Tort, 1 Ply Black Standard Nobs: Bell or Speed Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany Top: Plaine Maple, Easter Flame Maple and 4A Flame Maple Neck: Mahogany or Maple Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Block, Trap or Dot Radius: 12” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Tone Pros Nashville + Stop Tail Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: Mojo Tone Filter Trons, Humbuckers or P90’s Pickguard Options: Silver, Gold, Black, Cream, Parchment Standard Nobs: Nickel, Bell or Speed Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

  Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Korina or Flame Top Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Dot Radius: 12” Scale: 30.5 Neck Profile: .8 @ First Fret Frets: 20 Jescar medium .047″x.095″ Nut Width: 1.5” String Nut: Graph Tech Bridge: Advanced Plating Assembly Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: Lollar Pickguard Options: 5 Ply Black, Parch, Tort, 1 Ply Black Standard Nobs: Nickel, Bell or Speed Strings: Dunlop Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

I design amps based on my own experience and needs, and when it came time to design the Creamer, I wanted to find a balance between a perfectly voiced guitar tone with a fair amount of power and portability. Everyone loves low power vintage amplifiers, but sometimes I need a bit more power, reliability, and headroom on the gig. In studio, the Creamer is virtually silent when idle. Its the ultimate refinement and alternative to the vintage small format amplifier.  I wanted the Creamer to be very versatile so I included an adjustable cathode bias circuit so that the user can easily substitute 6L6 or 6V6 output tubes with no need to rebias the output tubes. I have added a rear mounted switch to maintain an 8ohm speaker output regardless of which tube type used. Inside of the chassis, you will find an internal bias adjustment in case you want to fine tune the cathode bias when substituting in vintage tubes which tend to draw more current.  With 6V6 the Creamer puts out about 20 watts into 8ohms and has sweet breakup. Put a pair of 6L6s in, flip the switch on the rear panel and you get a bit of more low end, subtler mids, and a touch more headroom.  The tremolo circuit in the Creamer is unique and sounds outstanding. It is harmonically rich, deep, and has a very useful range of speed.   Three speaker options help tailor the Creamer to your unique style: Jupiter Large Ceramic 12" is a transparent sounding speaker. Bright, Lively, and very efficient. Its got a great bottom end even at low volume. This speaker will not break up no matter how hard you push the amp.  Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone to the Creamer. Its still lively on top, and a bit more focused in the bass response than its ceramic magnet brother. The speaker starts to break up and add alnico character as the amp is pushed.  Celestion Alnico Creamback 12" takes the Creamer into a totally new direction. This speaker is very mid forward with little midrange scoop. The top is smooth and bright, and the bass response is the tightest out of the three options. This speaker starts to break up when the amp is driven hard, adding a unique midrange boost as you push it.  Like all Milkman amplifiers, the Creamer is built using the finest possible components onto a turret board, and is hand wired with cloth covered wire. WATTAGE 18-22W Class AB  SPEAKER 12” Alnico Jupiter Speaker, 8 ohm EFFECTS Tube tremolo and spring reverbIncludes handwired original design detachable footswitch and 15' cable CUSTOM FINISH Black Tweed DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9-1/2" D 32lbs

The TV40 is the first in a new series of "Top Loading" Milkman amplifiers in TV Front cabinets Boasting 40 watts from a pair of 6L6 power tubes, the TV 40 has massive cleans and headroom. There is an internal 3 knob reverb system for dialing in a wide variety of reverb tones.  The TV40 is based on my popular 40W Pedal Steel Mini circuit, however it has been redesigned into a larger cabinet with an 8ohm output to increase the speaker and layout options. This amplifier can be ordered in all of the custom shop finishes (including solid woods) and also as a 1x15 or 2x10 combo.  The preamp has controls for volume, treble, midrange and bass as well as a bright switch for low volume fidelity. This is a single channel amplifier with inputs for two instruments. The TV40 has a 5AR4 rectifier tube and like all Milkman amplifiers is hand wired onto a turret board with Mercury Magnetics transformers and Jupiter Capacitors standard. It is built into a custom aluminum chassis and housed in a Pine cabinet.    WATTAGE 40W Class AB SPEAKER 12" Jupiter Alnico, 8ohm EFFECTS 3 knob reverb system CUSTOM FINISH Tuxedo DIMENSIONS & WEIGHT 22" W x 20" H x 10-1/2" D 38lbs

The Half Pint was designed to be the most versatile low power amplifier possible. Reverb and tremolo and Class A single ended breakup are just the start of what this little amp can do. With the onboard voltage controlled power scaling, you can turn this amp up to 10 and dial it back to just a fraction of a watt so that your fun zone is volume appropriate for just about anywhere.  This amp is comfortable on stage, in studio, and at home. Because of the variable power, you can set it how you like and adjust the power level for the room.  The power section of this amplifier consists of a single 6V6 power tube biased to class A. The front end is similar to the Creamer, with extended headroom reverb and tremolo. Four speaker options help tailor the Half Pint to your unique style: Celestion Greenback 12" is a transparent sounding speaker. Bright, Lively, and efficient. This speaker has a big bottom even at low volume. This speaker has very little breakup and does not color the amp when driven.  Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone. Its lively on top, and a bit more focused in the bass response than the Greenback. The speaker starts to break up and add alnico character as the amp is pushed. Its the most efficient of the 3 speaker options.  VSOP Alnico 12" is warm, buttery smooth, and slightly less "loud" feeling than the other Alnico options. Its very good for getting the full tone from the amp without disruptive volume levels.  Celestion Alnico Blue 12" takes the Pint in a different direction. This speaker is very mid forward with little midrange scoop. The top is bright, and the bass response is the tightest out of the three options. This speaker starts to break up when the amp is driven hard. When the amp is overdriven, the Blue is extremely reactive shedding low end and pushing the midrange further into the fun zone.  The amplifier is hand wired onto a turret board with Mercury Magnetics and Jupiter capacitors are standard equipment. WATTAGE 5W Class A  SPEAKER 12" 15W Celestion Alnico Blue, 8ohm EFFECTS Tube tremolo and spring reverbIncludes handwired original design detachable footswitch and 15' cable CUSTOM FINISH Classic Black DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9-1/2" D 28lbs

The Amp is now available in a 12" combo with many of the same features as the pedal: universal power input between 100-240V, a balanced line level output with analog cabinet simulation, splashy reverb, rich VCA tremolo, and portability. The 12" combo brings The Amp into a new dimension as a full featured grab and go amplifier. The Amp is housed in a lightweight and resonant Pine cabinet with a 12" Celestion Creamback Neo speaker with a total weight of only 22 pounds! For silent stages, The Amp can be run in "Mute" mode which disables the speaker output while sending signal to the direct output. The overall tone is identical to The Amp, and like the pedal all of the outputs are live all of the time which makes signal routing a breeze. Effects can be individually bypassed with the included 2 button foot switch. The Amp 12" Combo adds an external speaker output so you can power a second 8ohm speaker and create even more of a presence on stage. With a second speaker attached, The Amp puts out 100W (into 4ohms) which is plenty of power for large venues.      WATTAGE 50W with internal 8ohm speaker 100W with both internal speaker and 8ohm extension attached EFFECTS Reverb and Tremolo DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9" D 22lbs

This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.

The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly...you get the idea.   TRULY TRANSPARENT TONE The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into our Morning Glory overdrive for yourself. Then you’ll understand. - Gain control sweeps from completely clean to rock ‘n’ roll- Tame high end on brighter rigs with the side-mounted bright-cut switch- Increased headroom and output for use as a full-frequency boost   ON-THE-FLY VERSATILITY An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package. - Switch to a more powerful sound with enhanced low end and grit- Plug in your JHS Red Remote for switching between the two voices with the tap of your toe- Handy LED changes from blue to red, indicating the status of the boost circuit   VERSION HISTORY: V1 = bigger white enclosure with black knobs; no bright-cut switch; no logo.V2 = changed to smaller current enclosure; gold powder coat color.V3 = bright-cut toggle added.V4 = 2x more headroom; Gain toggle added; Red Remote system added.   THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.2"X4.8"X1.6".

Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound.  The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount. 

Limited to 2,000 units worldwide. The White Light is a hard clipping, vintage-voiced overdrive that takes its cues from the vintage dirt pedals that defined the sounds of heavy rock. Think OD250 or Distortion+ without being overly derivative, a new voice to an olde sound if you will. The White Light gives you total control over the feel and voice of the dirt along with a modern presence that is highly responsive to your playing. We think you’ll find that it is much more dynamic, open and harmonically rich than these classic overdrives it shares its lineage with. This classic EQD overdrive has been updated with a new enclosure, top-mounted jacks and Flexi-Switch® Technology.

Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood’s Level control has enough output on tap to alert the proper authorities. Even the FBI. Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there’s always music in the air, and the birds sing a pretty song.

Hey boss, thanks for taking a visit from The Warden! The Warden is an optical compressor with a feature set usually reserved for studio grade units. Built with high grade components and internally powered by 18v, The Warden has loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, The Warden will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. Optical compression has a reputation for having more character than a VCA or FET-based compression and The Warden is no exception.

The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes: Up Sweep, Down Sweep and Sample and Hold. With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you’ve got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you’re a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you’ve just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.  

Plumes® is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

Sunn O))) and EarthQuaker Devices are pleased to bring you the Sunn O))) Life Pedal V3. The Sunn O))) Life Pedal circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi-Switch Technology®, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labor of love.

The Hoof Reaper features our popular Hoof® and Tone Reaper™ fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that we decided to reintroduce it back into our line. Capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps. Each effect can be used individually as well as in series but the order of effects is preset for optimum performance.

Our flagship fuzz pedal can be found on thousands of pedalboards around the world and has rocked countless stages from stinky suburban basements to Madison Square Garden. Twice. The Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium/Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. We hand-match our NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers the same smooth, natural, and harmonically-rich sustain as all your friends’ Hoofs. All your friends have Hoof fuzzes, right?

The Hizumitas was designed for the one and only guitar sorceress, Wata, from the legendary band, Boris! We could not be more excited to have the honor of working with such an iconic legend known for her crushing riffs and mind-melting leads. The Hizumitas is a faithful sonic recreation of her go-to distortion which has been a staple of her tone for many years: the Elk BM Sustainar.

Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built entirely by hand in beachy Akron, Ohio.

The Dispatch Master is a hi-fi digital Delay & Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial. The best-selling EarthQuaker Devices pedal just got bester [sic] with new Flexi-Switch® Technology! Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.

The Depths is our take on the classic optical vibe circuit. Now you can swab the decks with the same lush, pulsating, three-dimensional swirling sound you know and love, with some modern accouterments for all you land-lubbers out there. The Depths is optimized for use with all kinds of instruments, pickups, and to play well with dirt, so nobody’s left waiting on shore. If it’s got a ¼” output, plug it in and get deep!