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Walrus Audio
Walrus Audio Mako Series R1 High - Fidelity Stereo Delay
$349.00
The R1 is an extremely powerful and versatile multi-function reverb that can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program can be tuned and tweaked and then saved to one of nine on-board presets. The R1 boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control, and up to nine on-board presets (128 via MIDI). Players of all styles and genres will be able to find eternal inspiration with the R1.
Programs
Spring - The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.
X knob adds a warm grit to the reverb decay.
Hall - The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays and higher X knob settings result in a massive wash of ambiance. Shorter decay and lower X settings allow for a more intimate reverb expression.
X knob controls the room's size; smaller at lower settings to larger room sizes as you increase X.
Plate – The Plate program emulates a smooth analog plate reverb with nice even diffusion inspired by famous plates like the EMT 140.
X knob adds in gentle warm grit to the front end of the program simulating driving a hot signal into the plate.
BFR - BFR is a no holds barred, big, f____, reverb. This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels.
X knob controls the amount of diffusion applied to the multi-tap delays used to form the program. At lower X settings, you'll hear these delays bouncing around for a more textured sound. As you increase the X knob, the delays are diffused, creating a smooth texture, and lifting your riffs and chords into the atmosphere. See ya.
RFRCT (Refract) - The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a largely diffused reverb. The Rate controls on RFRCT change how often the glitch effects occur while Depth controls the overall volume of the glitch effect.
X knob is used to shape the tone of the glitch effect. At zero, the glitch effect will have a lo-fi, almost tape-like sound to them. Increasing the X knob brightens these elements with more pristine details.
Air - The Air program offers a larger diffused reverb with a subtle shimmer but has a more “crisp” clarity to its decay. Explore slow-building sounds that don’t get in the way of your playing. Air complements keys and synths as well.
X knob controls the amount of the wind and shimmer elements in the Air program. At zero the effect will be off. Turning clockwise will increase the volume of the air effect.
Presets
The R1 can save up to nine on-board presets, and up to 128 are accessible via MIDI. On-board presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap at the same time. You will see the right LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple, indicating you have edited the preset. The R1 employs a powerful reverb engine that allows for the true preset spill over. When you switch presets, the new preset loads, and the previous preset is allowed to decay naturally.
Tune
Use the Tune knob to shape the amount of low and high frequencies in the reverb signal. The X position is unique to program-specific features listed above.
Tweak
Each program can be fully customized to your taste and playing style with the Tweak knob.
• Rate: Controls the rate of the LFO applied to the wet reverb signal.
• Depth: Controls the Depth of the LFO applied to the reverb signal.
• Pre Delay: Controls how long it takes after you play for the reverb to become audible.
Bypass Modes
The R1 has three different bypass modes.
True Bypass
DSP+True Bypass (trails)
DSP Bypass (trails)
Momentary Functions
Press and hold the SUS/LATCH (Sustain/Latch) switch to momentarily sustain the current reverb and continue to play over it through the same reverb algorithm. No dry signal here! Clicking the SUS/LATCH switch lets you latch the present reverb decay while you play over it.
Walrus Audio Mako Series D1 High - Fidelity Delay
$299.00
The first in the Mako series, the D1 is a powerful multi-function delay with five, studio grade, high-fidelity, custom tuned programs. The programs are Digital, Mod, Vintage, Dual and Reverse. Each can be tuned and tweaked with modulation, tone, age, and subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control and on-board presets. A workhorse of a delay that is just as ready for the road as it is the studio.
Programs
Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth.
Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.
Mod - The Mod delay progam has unique modulation LFOs applied to the repeats that are random and run at multiple rates to create unpredictable pitch modulation. This results in very unique sounding repeats perfect for warping minds and scattering trains of thought.
Vintage – The Vintage program allows for analog delay inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off low end.
Dual - The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output and one set is sent to the right. The division switch has unique functionality in Dual mode. We’ll break it down for you below:
In the quarter note position, the D1 offers 1/4 note and 1/4 triplet repeats.
In the eighth note position, the D1 offers 1/8 note and 1/4 triplet repeats.
In the dotted eighth note position, the D1 offers 1/4 note and .1/8 repeats.
Reverse - The Reverse program reads the delay memory backwards creating a unique delay repeat character known as reverse delay.
Presets
The D1 is capable of saving up to nine on-board presets and up to 128 are accessible via midi. Onboard presets are accessible with the bank switch. Cycle between presets in each bank by pressing bypass and tap at the same time. You will see the tap LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple to show that you have edited the preset. Refer to the manual for accessing and saving presets via midi.
Attack
The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings.
Bypass and Tempo Modes
The D1 has three different bypass modes. True bypass, DSP+True Bypass (trails), and DSP Bypass. The D1 offers global and preset tempo modes. Global mode keeps the tempo the same when changing presets. Preset tempo will use the delay time that was stored when the preset was saved. Refer to the manual for more info on switching modes.
Vintage V6MRSSB
$599.00
Body: Eastern Poplar
Neck: Maple
Fingerboard: Rosewood
Scale: 25.5″/648mm
Frets: 22
Tuners: Wilkinson® WJ55
Bridge: Wilkinson® WVCD Distressed
Pickups: 3 Wilkinson® Single Coils WVS
Scratchplate: Mint
Hardware Color: Chrome
Controls: Volume/Tone/5-way Toggle Switch
Rock N Roll Relics Heartbreaker (Old Black Tribute)
$3,800.00
SPECIFICATIONS
BODY: Mahogany/Maple top
NECK: Mahogany 60's
PICKGUARD: Cream single ply
PICKUPS: Mojotone
ELECTRONICS: Emerson/ 2 volume, 2 tone
HARDWARE: Tuners - Kluson vintage style tulip buttons
Bridge/Tailpiece - Advanced Plating/Bigsby
FINISH: Black over gold top
ADDITIONAL: G&G hard case
Rivolta Mondata VIII
$1,199.00
Features & Specs
chambered mahogany body
German carve top with raised center block
double bound body
set maple neck
bound ebony fingerboard
aged perloid block inlays
bound peghead
25” scale – 24 medium jumbo frets
12″ fingerboard radius
1.687″ nut width
Rivolta C+ neck profile
3 x Rivolta “Fumante" Mini Humbuckers + Double Switching
nickel hardware
Kluson style tuners
Nashville tunomatic bridge
Eastwood Bill Nelson Astroluxe Cadet
$1,549.00
Here is some exciting news! In late 2014 Eastwood partnered with guitarist Bill Nelson to create the Limited Edition Astroluxe guitar. Only 24 were made and they sold out in a flash. Since then many people have been asking for a follow-up model to compliment it. Once again we got together with Bill and are now proud to unveil the Astroluxe Cadet.
Like its big brother, the guitar is a semi-acoustic style with a slightly arched top and a single f-hole (which features a grille), but this time a double cutaway. The guitar is fitted with three Airline Argyle White Coil Pickups.
The guitar is also available in a DLX version with Duesenberg Les Trem Tremolo system (can't imagine Bill's without a tremolo!).
Body: Bound Chambered Mahogany Body, Maple Top
Neck: Bound, Set Maple Neck. Slim Tapered C-Shaped, 24.75" scale.
Colors: Available in Vintage Cream/Ruby Red
Fingerboard: 20 frets on a 12" Radius Ebony Fretboard with Atom Symbol on 12th
Pickups: 3 Airline Argyle White Foil Pickups
Controls: 3 individual Volume, 1 Tone, 5-Way Switch, Master Volume
Strings: 10-46 D'Addario Gauge Strings
Unique Features: Bill Nelson Signature and Atom Symbol on Headstock
Eastwood Airline H74
$799.00
Body: Bound Laminated Maple, Vintage F-Holes
Colours: Honeyburst
Pickups: Dual Airline Argyle "Gold Foil" SC
Switching: 3-way
Controls: 2 Volume 2 Tone
Bridge: Adjustable Roller Bridge, Bigsby B-70
Neck: Bound Maple, Bolt-on, Bound Headstock
Finger Board: Rosewood, Block Markers
Scale Length: 24 3/4" (628mm)
Width at the Nut: 1 5/8""
Hardware: Gotoh style Style Nickel/Chrome
Strings: #9-#46
Unique Features: Airline Gold Foil Pickups
Vintage V4MR
$599.00
• Body: Eastern Poplar• Neck: Hard Maple – Bolt On • Scale: 34"/864mm• Frets: 20• Neck Inlays: Pearloid Dot• Tuners: Wilkinson® WJBL200 • Bridge: Adjustable• Pickups: 1 Wilkinson® WBP • Hardware: Nickel• Controls: Volume/ Tone
Benson Germanium Fuzz
$299.00
THE BASICS
The Germanium Fuzz is a fuzz pedal. The knobs change the sounds. IMPORTANT: after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. Good time to tune your guitar and grab a beverage. The color of the LED indicator light might change. Don’t turn the internal trimmer. THAT’S IT. Read on only if you want some excellent primary source material for an online fuzz thesis…
This pedal is designed around two germanium 2N527 OR 2N404 Germanium Transistors. They have been graded for gain and leakage and carefully matched to sound their best. They are set up in the ubiquitous 60’s circular fuzz topology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent more widespread use of Germanium devices....detailed below.
THE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY
The bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the transistors to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is orange, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on…that is how you know its working. The heaters will warm the transistors enough to still be effective on a sunny stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100˚F but might still sound fine outside this range. There are two colors: Studio Black is not meant for direct sunlight, Solar White is fine with it. We have found there is a 20˚F difference between a black pedal and a white pedal in direct sunlight.
INPUT IMPEDANCE
The low input impedance of the classic two transistor germanium fuzz circuit is both a blessing and a curse….a blessing because it can yield a tight sparkly clean tone when guitar volume is rolled down, and a curse because it sounds nasty (in a bad way) if there are buffers or pedals before it in a signal chain. We went to some extremes to keep the blessing and lose the curse.
We installed a class A buffer in the very input of the Germanium Fuzz. This buffer feeds a passive pickup simulator circuit (an audio transformer set up as an inductor, a resistor, and a capacitor). These two additions make compatibility with other pedals possible without losing the desired sound. After the pickup simulator circuit, we have added an “Impedance” control, which simulates rolling down the guitar volume to get that tight sparkly sound…without adjusting your guitar volume….which you can still do and still sounds great.
GAIN RANGE
The circuit has been tuned to be used as a rich sounding clean boost, an overdrive, all the way up to an aggressive fuzz with some octave overtones. It will sound different, and I think more useful, than the classic versions. There are many colors of tone available with the impedance and gain controls…they are very interactive. This is meant as a “pretty” fuzz a la 60’s-70’s classic rock/psychedelic rock. It is not a spitty, harsh experimental fuzz and more often sounds like an overdrive or distortion until the gain is turned all the way up, and the impedance is turned down.
INTERNAL TRIMMER
Please don’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turnt it.
POWER SUPPLY
This pedal is for use only with a 9vdc Boss syle center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma when the heater is engaged, and far less than that when it is off. It will pull those 100ma instantaneously, which most power supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start oscillating madly at the heater threshhold, where the LED changes, in which case may we suggest using a current doubler cable, or switching to a higher rated power output.
WARRANTY INFORMATION:
2 years excluding modification, trim pot manipulation, or damage.
Nik Huber Surfmeister
$5,195.00
SPECIFICATIONS
BODY: Semihollow maghogany w/maple top
NECK: Mahogany - east indian rosewood with sterling silver ring markers and standard Dolphin carve
PICKGUARD: Black
PICKUPS: TroneBucker set
ELECTRONICS: 3 way selector, volume & tone controls
HARDWARE: Tuners - Nik Huber 510 open gear w/tulip buttons
Bridge/Tailpiece - Nik Huber Stoptail
FINISH: Worn Copper top/open pore back/sides
ADDITIONAL: Hard case
Alexander Sugarcube
$199.00
Some like their chorus tones toothache sweet. Others just want a hint of syrupy swirl. And no matter where you fall on that spectrum, Sugarcube delivers. We captured the essence of all our favourite chorus pedals from the 80s, added in a dash of rotary whirl and some crystallized pitch-shifting for good measure — and then wrapped it all up in a pedalboard-friendly package.Of course, you get the MIDI, preset and expression pedal support you’ve come to expect from Alexander Pedals, but look — sugar addiction is real. Consider this your only warning.
Divine Noise Straight Cable
from $52.50
Every cable that I make is cut, soldered, and assembled by hand in Portland, Oregon. I use only the highest quality products to ensure that you get the most out of your equipment. Everything from the thick, heavy-duty PVC jacket on my proprietary cables, to the highest quality silver solder to secure components is done to create a reliable, great sounding, high caliber product that you can trust. Thus we give you cables made for the tortures of touring with the assurance of performance. All of our straight cables can be made with either black, red, white, purple, or orange PVC jackets.
20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. Semi-conductive PVC covering reduces Tribo-Electric Noise and provides clean, low-noise performances, without microphonics.
Low capacitance (30 pF/FT) provide a rich warm tone, not bright, harsh or brittle- the result of overly low capacitance- and not too dull or muddy- caused by too high of a capacitance.
The oxygen free copper used in our cables delivers the purest sound quality while remaining flexible and noise free
Thick (.280”), heavy-duty PVC outer jacket designed to withstand the rigors of heavy use while maintaining flexibility.
Every cable is soldered by hand using the highest quality silver solder.
Available in G&H Industries or Neutrik silentPLUG* plugs
Completely made by hand in the USA.
Divine Noise offers a lifetime no hassle warranty on every cable.
All of our straight cables can be made with either black, red, white, purple, or orange PVC jackets.
Divine Noise Curly Cable
from $79.00
Made from the EXACT same cable as our standard straight guitar cables, absolutely no compromising went into this coiled guitar cable. Most coiled guitar cords on the market are not manufactured with the same exacting standards my clients have come to know and expect from my work. This coil instrument cable is a product I happily stand behind. This coiled guitar lead maintains it’s curly shape through the pushing and pulling of rigorous use. Unlike every other curly cable on the market, this cable will not fail. All of our curly cables are made with 30 feet of cable and can be made with either black, red, white, purple, or orange PVC jackets.
20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. Semi-conductive PVC covering reduces Tribo-Electric Noise and provides clean, low-noise performances, without microphonics.
Low capacitance (30 pF/FT) provide a rich warm tone, not bright, harsh or brittle- the result of overly low capacitance- and not too dull or muddy- caused by too high of a capacitance.
The oxygen free copper used in our cables delivers the purest sound quality while remaining flexible and noise free.
Thick (.280”), heavy-duty PVC outer jacket designed to withstand the rigors of heavy use while maintaining flexibility.
Every cable is soldered by hand using the highest quality silver solder.
Available in G&H Industries or Neutrik silentPLUG* plugs
Completely made by hand in the USA.
Divine Noise offers a lifetime no hassle warranty on every cable.
All of our curly cables can be made with either black, red, white, purple, or orange PVC jackets.
Creation Classic Coil Cable
$34.99
Whether you want to add a classic look to your rig, are convinced of the tonal improvements some guitar legends used to swear by, or are just looking for a well made cable that allows you some flex, our Classic Coil Cables are just the thing for you. Made at 25ft of high quality coil in white or black and proprietary Creation Plugs featuring a laser etched lightbulb logo, these things will scream class at a price that won't break the bank.Features:
Hand Soldered by Humans
25ft Coil Cable available in White or Black
Proprietary Creation Plugs with Laser Etched Logo
Heavy Duty Spiral Shielding
Creation Cable Wrap