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Cabzeus is a algorithm-based  speaker - cabinet - miking  simulator system. Connected direct to your gears this device enables you to obtain the sound of a miked-guitar amp cabinet without the hassle of miking your cabinets. Extending this basic function, we’ve built into Cabzeus a plethora of unique and powerful features that goes beyond simple speaker simulations. Stereo I/OCabzeus has 2 independent channels, each with its own input, thru, and output. Using a special software that we provide you can freely customize the simulation aspects (speaker type, cabinet type, mic placement, etc.) of each channel independently. To help you get the most of your stereo setup, we have also included powerful stereo processing functions such as : adding short delays (0.02 ms to 125 ms) to one of the channel. blending two simulation channels. independent volume and phase control.  2 Operating Modes : Stereo Cabs : simulates the process of close-miking two independent speaker cabinets. Each simulator channel has its own extensive set of parameters, including speakers and cabinet type selections, mic-placement , blending, phase, and volume, offering rich and versatile simulation scenarios for both live and direct-recording applications.   Stereo Mics : simulates the process of capturing the sound from a single speaker cabinet using two microphones, one mic is placed close to the speaker (close-mic) and the other is placed further back in the room (room-mic). An extensive set of controls offers flexible arrangements and powerful means to combine the two microphone signals into huge expansive stereo sounds. Balance of Analog and Digital.Cabzeus uses advanced DSP processing techniques coupled with clean and robust analog circuit designs which ensures optimal operating headroom and absolutely minimal noise. Each algorithm has been painstakingly hand-crafted and tuned to achieve faithful emulation of popular and proven speakers and cabinets, we literally spent hundreds of hours analyzing speakers data and an equal amount of time reconstructing their responses through complex algorithms.Speaker & Cab selectionSpeakers selections are organized into 4 classes: Guitar, Bass, Gears, and Miscellaneous. Integrated DI BoxYou can connect a wide range of input sources, ranging from your favorite stompboxes, preamps, your head amp's speaker out, to any music player (see Application Ideas). Its stereo balanced outputs are capable of driving long cables straight to mixing console or FOH speakers. These outputs are tolerant to phantom power, they will not be damaged by accidental application of phantom power. Key Features : Compact, stereo Speaker / Cabinet simulator + DI Box. 2 inputs - 2 thrus - 2 outputs (balanced) 8 Presets. Input Pads : 0dB (unity), -20dB or -30dB. Independent Mic Position controls. Deep algorithms editing via CabsLab® software. MIDI and External Switch Inputs for remote preset change. Stereo headphone out with volume control. Internal charge pump circuitry boosts 9V supply voltage to 18V for extended headroom. Specifications : Input impedance: 1 MOhm.   Output impedance: 300 Ohm.       Sampling rate : 48 KHz. DAC / ADC resolution : 24 bits. Current consumption : ~150 mA. Weight : 0.6 Kg (1.2 lbs). Dimension : 12 (L) x 9 (W) x 5.5 (H) cm Power source requirement : 9VDC (negative center).

Cabzeus MONO is a compact yet powerful speaker simulator + DI.Box pedal. It was developed as a single channel version of its stereo big brother, Cabzeus. Cabzeus Mono offers 12 Speaker algorithms modeled after the real-life counterparts, each algorithms has 4 variations (speaker size and cabinet type), for a total of 48 sounds to select from. Simple yet effective user interface lets you browse through the algorithm library and user presets with ease. The speaker simulation may be bypassed allowing you to use Cabzeus Mono as a straight forward DI Box. Headphone OutA headphone out with a dedicated volume control allows you to have a silent practicing session in the middle of the night. And to make your headphone listening experience more satisfying, despite only mono signal is available, we added a capability to insert an adjustable amount of short delay on the Right channel audio to widen the perceived stereo field. Integrated DI BoxYou can connect a wide range of input sources, ranging from your favorite stompboxes, preamps, your head amp's speaker out, to any music player (see Application Ideas). Its stereo balanced outputs are capable of driving long cables straight to mixing console or FOH speakers. These outputs are tolerant to phantom power, they will not be damaged by accidental application of phantom power. Key Features : Compact Speaker / Cabinet simulator + DI Box. Ports : Input, Thru, Outputs (balanced - XLR) 2 Presets. Input Pads : 0dB (unity), -20dB or -30dB. Mic Position control. Stereo headphone out with volume control. Internal charge pump circuitry boosts 9V supply voltage to 18V for extended headroom. Specifications : Input impedance    : 1 MOhm.   Output impedance : 300 Ohm.       Sampling rate : 48 KHz. DAC / ADC resolution : 24 bits. Current consumption : ~120 mA. Weight : 0.45 Kg (0.9 lbs). Dimension : 7.5 (L) x 9 (W) x 5.5 (H) cm Power source requirement : 9VDC (negative center).

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  10mA @ 9v.   The Southland Harmonic Overdrive is built on the Lightspeed Organic Overdrive platform, we have developed what we believe to be the best overdrive on the market.  The Lightspeed was built with the specific purpose of being a light to mild overdrive.  The Southland is the next logical step for the Lightspeed platform—more gain, with two stages of clipping (utilizing different diode types for each stage of clipping), a focused midrange (not that annoying “hump”), and a bit of presence on top of the signal, to help cut through the mix.  The Southland Harmonic Overdrive, like the Lightspeed, is touch sensitive, responds to pick attack, and has dynamics that just won’t stop.  On top of that, we’ve selected a chip to drive the Southland that takes it to the next level.  The Southland Harmonic Overdrive will fit with any musical style, and pairs amazingly well with the Lightspeed Organic Overdrive.  If you're looking for two pedals that stack amazingly well together, and can give you a rich, harmonics-filled overdrive tone, then it's time to get a Southland Harmonic Overdrive, AND a Lightspeed Organic Overdrive, today!!! ***NOTE***We've been getting quite a few questions, about whether or not the Southland and Lightspeed cover the same territory.  The truth is that they don't.  The revoicing of the circuit to have more of a focus on the mids, and more presence in the top end, as well as the increase in gain of the circuit, push the Southland to a place that the Lightspeed doesn't get to...one of the primary goals with the development of the Southland was to create a pedal that was different, AND would work well together with the Lightspeed.  The combination of the Southland and the Lightspeed make for one of the most heavenly overdriven tones we've ever heard...and we're okay with that! Amazing mild to medium overdrive and crunch! Thick harmonics, amazing sustain! Focused midrange (without the annoying hump), and extended presence range, to help cut through the mix! True Bypass! Uses 9-Volt battery or standard neg. center, 2.1mm power supply. Built with top quality components Lifetime warranty to the original owner!

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  10mA @ 9v, 18mA @ 18V.  A brave new  world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power section, and even the feel of the vintage 10 inch Utah speakers that were in those famous brown amps. The tone stack is designed to provide a wide and dynamic range of tonal options to the user. The Presence control works with the tone stack, and is designed to be a wide range control, effecting the overall sound of the entire circuit. The SOMA ’63 features a steel core transformer in the audio signal path. The transformer lends to the overall tone shaping of the circuit, and when the gain is pushed hard, especially with higher output pickups, the small steel core transformer will saturate, just like a vintage amplifier. The SOMA ’63 can be used as a tone-shaping preamp, or as an overdrive pedal. There are a wide variety of tones available in the SOMA ’63, so spend some time with your new pedal, and find the tones that rock your world! The SOMA ‘63 runs off of a standard, negative center pin 9 volt power supply, and can be ran off of up to 18 volts. At 9 volts, the SOMA ‘63 will have more grit and texture. At 18 volts, you can expect higher headroom, a bit stiffer response, and less overall grit. Greer Amps’ lifetime warranty covers manufacturing defects and component failure to the original owner, it does not cover misuse or abuse.

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  15mA @ 9v. Greer  Amps expands the XFR line with a new offering!  The Royal Velvet Class-A British Drive and Pre nails the feel and tone of two of Nick Greer’s favorite amps. Imagine a world in which a V*x 30 watter and a Greer Thunderbolt30 got together. In that world, you’d end up with a sound machine much like the Royal Velvet. This British drive and pre features the same transformer as the previously released, award winning SOMA63. After a year of working with this super versatile transformer, we have found a way to alter the feel of it by changing the “loading” of the transformer. This really brings the pedal to life, and makes it something truly unique in the space of drive pedals today. If you’re looking for that Class-A British grind with some chime on the top end, this beauty is what you need. The EQ is dialed in right between the AC and Thunderbolt30 tones, and the drive is oh so sweet. At 9 volts, you’ll get some grind and slight compression with the gain up and moderate output pickups. 18 volts provides more of a stiff feel, and more clean headroom with that British sparkle! Classic British tone, drive, and grind! Features a steel core transformer! Can be used as a preamp, and takes drives amazingly well (stack it--it sounds great when it's stacked with other drives)! True Bypass! Uses 9-Volt battery or standard neg. center, 2.1mm power supply. Built with top quality components Lifetime Warranty to the original owner!

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS  FREQ: Controls the frequency parameter of the current mode. DEPTH: Controls the depth parameter of the current mode. TIME: Controls the reverb time in all modes. DRY: Controls the volume of the dry signal, from -inf to 20x gain. FX: Controls the volume of the reverb signal, from -inf to 20x gain. ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions: 5.95" x 3.86" x 2.96" (including hardware). Weight: 18 oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter). Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or Tknobs when ALT mode is engaged and when an expression pedal is plugged in.

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. CONTROLS Vol: Controls the master output volume. Altitude Control:  This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb: Blends in the amount of reverb. Dark/Light Symbol:  Dark cavernous reverberation to  bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** . SPECIFICATIONS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.

A powerful, ethereal delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly warbled, turn up the fuzz and pulverize it into delayed, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. CONTROLS Master: Sets the overall volume. Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss. Delay: Sets the volume of the delayed signal. D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1.2 seconds. Long delay times can create flutter, noise, and distortion.  FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation.  Left Toggle:  Up for clean blend,  down to kill the dry signal and hear only the repeats. Speed: Controls how fast the modulator runs.  Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones! Right Toggle:  Up for a smoother modulator waveform,  down for a sharp, square-shaped wave. . SPECIFICATIONS  Dimensions: 5.87" x 4.72" x 2.35" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 40 mA.  

The Interstellar Overdriver Deluxe consists of two amazing, fully analog, Interstellar Overdriver pedals featuring additional, revamped options! Not only can you create unearthly overdrive sounds by routing the first channel into the second, but there are 5 additional options on the second channel to give you a huge range of overdrive / fuzz tones. A pleasant boost, a squealing lead, a chopped out glitch, a jet rocket lift-off; this is the pedal to blast your sound into the cosmos!  CONTROLS  Master: Controls the volume of the circuit of the corresponding side  - left MASTER controls the left side volume and right MASTER controls the right. Drive: Sets the amount of drive for the corresponding circuit.  Rotary Selector:  1: Thin Drive 2: Normal Interstellar Overdriver 3: Bass Overdriver 4: Super Oscillating Fuzz 5: Octave Fuzz 6: Envelope Controlled Tremolo NOTE: Channel 1 is activated with the right side footswitch and adjacent controls,  always remaining the Interstellar Overdriver circuit. Channel 2 on the left, however, can be altered with the rotary to become something completely new. Both sets of controls will interact with one another to produce new, insane tones depending on which rotary position is selected - everything from piercing overdrive, to oscillations, and choppy trem. . SPECIFICATIONS  Dimensions: 5.71" x 4.89" x 2.54" (including hardware). Weight: 21 oz.  Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 2 mA.

This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance.  CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing.  Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it.  SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

So, what IS the story on Wave Cannon® version 2.0, or as we’ve decided to call it, the Wave Cannon MKII Superdistorter? The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units. It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off. While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.

From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy-sounding stuff was actually the easy part for us. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie sounds you can make with this thing, we encourage you to explore the subtleties of how each control interacts with the others, and the remarkable range of sounds that you can quickly and intuitively dial in. Gentle, lagging vibrato, 1980s style choruses, and even some doubling effects are possible…and then, turn up & go wild again. SOMERSAULT™ applies a similar framework as our popular KILOBYTE™ and MÉTÉORE™ pedals. While the digital chip sets the delayed wet signal, the initial gain stage, dry signal, LFO, control set and output mixing stage are entirely analog. The end result sounds rich and fat, with the same robust feel and power our customers have come to expect from our work.

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™. Using a cascading hybrid of the op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on-demand with the Havoc* stomp and you have a whole lot of nasty right here. Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch. Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

PARABOLA™ is the sonic equivalent of riding your space mammoth through giant puddles in the astral plane while feeding it caffeinated energy drinks. Think of this as your rig’s new “tremolo channel”. We’ve adapted the deliciously sloshy, transistor-based LFO and distinctive waveform from our favorite “West German” device, modified its speed and depth to match and go beyond those from your favorite classic amps, and then added pre and post effect gain stages for both overdrive and volume boost. Then we offer the classic, dramatic amplitude modulation (AM) you might expect, or a filtered modulation (FM) that is subtle, beautiful, and less invasive on your playing. Your pedal was dreamed, designed, and created at our small batch distortery™ in Columbia, S.C. Thank you for supporting our work and putting it to use.

Imagine taking the ice bucket challenge, but you’re dunking yourself in dreams! Inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb. We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…