pedal

The true-stereo K eeley ECCOS artfully combines a delay pedal and a looper. At the heart of the ECCOS is a neo-vintage delay with unprecedented control over tape-style echoes. Create long and majestic sounding tape flanged delay lines and then switch to the feature-packed Looper to record endless layers of sound! Dual stomp switches in delay mode are for true-bypass, tap-tempo and even endless feedback – but in looper mode they allow you to record, play, reverse, half-speed and even trigger a “play-once”. Live or as a studio workstation the delay and looper work together giving you endless room for creating and experimenting in a small footprint. With over four years of development on the Quad 24/56-bit Dream DSP, Keeley has reached the pinnacle of delay sound quality with the amazing new tones in the ECCOS.   The ECCOS now features Sound on Sound Mode! Sound on sound mode lets you record without erasing the original loop. The volume of the loops degrade over time, recreating a vintage reel to reel recording technique. To set the decay of the loops, hold down the FDBK knob and adjust the Depth control. This alt control comes in handy when using Sound on Sound Mode.   ECCOS is a True Stereo Delay and Looper Studio quality delay with tape flanged modulation Features include 3 memory presets, subdivisions, trails, runaway feedback Huge array of tone and time-based controls with the Alt Hold feature Full-featured Looper with reverse and half-speed loop effects 2 minutes of looping in mono, 60 seconds in stereo, Endless layers of recording! True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher Expression pedal assignment over any parameter and in any direction Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems 100% analog dry signal, audiophile designed input to output Stereo True-Bypass/Trails, switchable on the fly 9 Volt DC, 115mA low-current design Made in Edmond, USA     The ECCOS features advanced independent switching. The Delay or the Looper can be turned on and off independently. You can start the Looper without without a Delay Setting.

MINI  KATANA CLEAN BOOST!  Keeley’s oldest design made smaller and with tasteful updates including an additional feature.  The Katana started back in 2002 within the Time Machine Boost.  It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off.  In fact they often ran two or three on stages like John Mayer!  The Mini Katana boost provides over 35dB of boost.  Enough for the most demanding players and sound reinforcement. New for the Mini Katana – 4 MODES! The new Mini Katana is now a 4 Mode Booster!  With the dual micro switches you have a total of four sounds possible.  Need drive, just flip the micro Hi-Gain Switch inside and you’ve got overdriven tone!  Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele.  Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap! Obsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else! Now made smaller, it will fit any board – any budget.  Enjoy a tasteful update to the pedal that redefined clean boost in the boutique era!

MINI KATANA CLEAN BOOST! Keeleys oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stage like John Mayer! The Mini Katana boost provides over 35dB of boost.

The High-Rise is a new premium overdrive with massive frequency range and incredible touch sensitivity. High-Rise responds dynamically to your guitar’s tone settings and enhances them; it doesn’t mask them. The “Steel” circuit acts as a clean boost, bringing clear, organic overdrive to any amp or pedal combination. The “Concrete” circuit delivers additional gain, grit, and saturation. Together, the two circuits offer a myriad of tonal possibilities for a wide range of playing styles. Explore and achieve new tones from each side individually, or use them together. Get higher. The High-Rise was designed by Saul Koll and Portland effects maestro Jack Deville, with graphic design by Aaron Draplin. The knobs were custom designed by Saul and cast by Matt Haramis. It’s true-bypass and runs quietly on a 9VDC adapter or an optional internal 9V battery (run at 18VDC for added headroom and clarity). Every pedal is handmade one-by-one in Portland, Oregon.

Area - the art of reverberation.Area is an extremely versatile Multi Reverb with which you can obtain many reverberation environments. From short reverberations to huge spaces and celestial atmospheres, without clouding the Dry signal.Area is built on the base of powerful digital algorithms of our own creation, reproducing 4 different reverberation effects with an exceptional sound quality.The new Mastro Valvola Area MkII has all the same features of first Area multi reverb, with the addition of the innovative “Timed Bypass System”, designed by Mastro Valvola, to manage the reverb trails.When Trails mode is engaged and the effect is turned off, the pedal uses the “buffered bypass” and the reverb trails die of naturally. When the reverb trails are completely dead the pedal automatically changes the bypass system in true-bypass through the internal relay. Main features: 4 types of reverb: Reverb – Modulation – Shimmer 8th – Shimmer 8th + 5th 3 presets, easily managed with the preset button Damp control, to modify the emphasis on the reverberation frequencies dedicated Pre-Delay control, to easily modify the separation between the Dry and reverberated signal analogical Mix control, varying from 100% Dry to 100% Wet True-bypass with Timed Bypass System (TBS), to manage the reverb Trails completely analog Dry signal path Reverb types: REVERB: in this position, combining the Decay, Damp and Pre-Delay you will be able to obtain several kinds of reverberations: ROOM, PLATE, HALL. MOD: a double voice chorus modulation is added to the reverberation atmospheres, enriching the space of your environment. SHIM 8th: the tail of the reverberation is enriched by symphonic shimmers, tuned 2 octaves higher. SHIM 8th + 5th: the tail of the reverberation is enriched by symphonic shimmers, tuned on the higher octave and fifth.

Dual-purpose pedal: buffer and boost. The buffer offers optimum transparency and will solve any problems of loss of signal caused by long effect chains. It can help you produce those harmonics you thought you had lost and which your audience will think highly of. The clear boost will give you the boost you need for your solo parts and is also useful for saturating your amplifier channels. With close attention to the musician’s needs and requirements, we have chosen a specific range of frequency responses for this product, from medium-low to medium-high frequencies. You can choose from the “Tone” control:  the 12-hour position corresponds to “Flat” frequency. Features: - Completely analog circuit - True bypass switch - Power supply: 9-12 V/10 mA - Size (L x W x H): 9 cm x 11 cm x 6.6 cm

Hybrid fuzz/distortion pedal for guitars and bass guitars Versatility: A hybrid of germanium and silicon, combining the correct dynamics and well-defined granular effect typical of germanium with the grittiness and high sustain levels of silicon. An endless variety of resonances can be achieved by synchronizing choices of timbre with use of the filter and fuzzcontrols: from the resonances typical of valve distortions to the various fuzz timbres. Presence: Highly sought-after response frequency which, even in cases of extreme saturation, maintains a constant sound presence capable of holding its own in a mix with other instruments. Features: - Completely analog circuit - True bypass switch - Power supply: 9V/10 mA - Size (L x W x H): 9 cm x 11 cm x 6.6 cm

The Millibar is a studio-grade optical compressor, designed to achieve optimal compression control on both guitar and bass alike.Inspired by the performance of the Universal Audio 1176 and Teletronix LA2A, we have managed to recreate and implement their characteristics in the Millibar, in terms of both, transparent compression and "tone-full" qualities.Your instrument’s will sound full, rich with harmonics, sustain and without any loss of sound frequencies.The Millibar utilizes separate controls for compression and sustain, which allows the user to choose from a range of dynamic combinations, suitable for arpeggios, solos, grooves and many other styles and effects. In the MKII version we have added an attack control in order to give players maximum flexibility and control over  compression characteristics. Features:- Completely analog circuit- True bypass switch- Power supply: 9-18V/10 mA- Size (L x W x H): 9 cm x 11 cm x 6.6 cm

An extremely versatile, warm sounding transparentoverdrive. With its huge range of tonal frequencies and high sound definition the SmoG will make you notice every string’s twang and every note in your chord.Furthermore, the SmoG is highly touch sensitive and dynamicresponsive which makes the SmoG feel like an organic extension to your guitar.The SmoG has also been specifically designed to respond well to low frequencies, therefore it will work perfectly with bass guitars as well.As with most of our pedals, the SmoG comes with a 9V battery inside, ready to rock. Features: - Completely analog circuit - True bypass switch - Power supply: 9-18V/10 mA - Size (L x W x H): 9 cm x 11 cm x 6.6 cm

A laboratory in which to give full reign to your own creativity, as you experiment with the various “dimensions” of delay. This versatile delay is user-friendly and suitable for immediate use, but also ideal for users with a passion for sound research and experimentation, who will soon discover the unique moods which can be created by synchronizing the various controls. TimeLab is an analog/digital hybrid delay.  The dry signal and the repetition filter are controlled by the analog part of the circuit, while powerful, specially created digital algorithms are used to manage the repetitions, reproducing 4 original delay resonances, all of exceptionally high sound quality. Main features: a choice of 4 types of delay: Digital – Analog – Resonance – Modulation active analog filter, to give emphasis to the frequency response of the repetitions a selection of times, from 0 ms to 1000 ms Tap Tempo with subdivision between quarter, dotted eighth and eighth triplets control over delay time with soft pitch bending FILTER control: This is an active analog filter which allows you to give emphasis to the response frequency of the repetitions. It can be used with all types of delay to enrich the sound environment with unique and unusual colors. The control is flat in its central position. Moving it to the left allows you to add emphasis to the low frequency sounds by obscuring or muffling the repetitions, whereas moving it to the right will have the opposite effect, adding emphasis to the medium-high frequencies. Types of delay which can be selected with the TYPE control: DIGITAL: a transparent and well-defined delay. Used to create a sharp atmosphere and robotic effects. Time can be varied from 0 ms to 1000 ms. ANALOG: recreates the depth, warmth and nuance of the best analog delays. Soft and warm moods and deep, open distortions. Time can be varied from 0 ms to 1000 ms. RESONANCE: offers all the naturalness, depth and warmth of the analog delays, but with the addition of a resonance filter, which gives the sound a psychedelic touch, with a flavor of period synth. Time can be varied from 0 ms to 1000 ms. MOD: an analog delay which adds to the repetitions a multi-vocal choral effect, giving them range and depth. Useful for creating airy and ethereal effects. Time can be varied from 0 ms to 930 ms.

The Millibar is a studio-grade optical compressor, designed to achieve optimal compression control on both guitar and bass alike.Inspired by the performance of the Universal Audio 1176 and Teletronix LA2A, we have managed to recreate and implement their characteristics in the Millibar, in terms of both, transparent compression and "tone-full" qualities.Your instrument’s will sound full, rich with harmonics, sustain and without any loss of sound frequencies.The Millibar utilizes separate controls for compression and sustain, which allows the user to choose from a range of dynamic combinations, suitable for

CHOOSE YOUR OWN LIQUID COMBINATION TO CREATE YOUR OWN SOUND! INCORPORATES GREEN ‘ANALYSING’ LED (TO SHOW SIGNAL PRESENT) INTERACTIVE LIKE NO OTHER PEDAL BEFORE – USE YOUR IMAGINATION TO DISCOVER YOUR OWN SOUND! RAINGER FX CUSTOM MINI-PEDAL ENCLOSURE – WITH NO SOCKETS ON THE SIDE! (NO – REALLY!!) SIMPLE – YET COMPLETELY INNOVATIVE!

A dual-mode effect pedal for the ages, Mr. Black's BloodMoon is a powerhouse of a reverb. Featuring two Mr. Black fan favorites, the SuperMoon Chrome and the BloodMoon, players now have the option to access either reverb for perfectly spacious and ethereal reverberated tones. Washes of awesome ambient reverb cascade from the BloodMoon with distinct voices for any player looking to explore the eerie side of reverb. A save/preset function gets those extra special sweet spots down for later implementation. With the light of the moon, you'll never lose your place! Light up the night sky and let the world know the moon is all yours.

he Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with the extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively)straightforward distorted guitar to shards of total insanity. This pedal is well at home making its own howls, chirps, growls, and sputters - harness the unruliest electric destroyer we make with the Supersonic Fuzz Gun.

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.  Black Fountain V3 features: Tap tempo: set your tempo on the fly with two taps of a footswitch, and subdivide that tempo into quarter, eighth, or triplet notes Hidden function: hold the Tap footswitch to momentarily maximize feedback, leading to a nearly sound-on-sound effect Expression control: use an expressional pedal to control Time, Feedback, or both simultaneously Expanded delay time: all the way down to around 30ms and up to around 1s Modern, Organ, and Vintage mode give three different takes on the voice of the delay, and Fluid, Mix, Time, and Feedback knobs give control over the elements Black Fountain art by Sam Larson https://www.samlarson.com/