pedal

The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine tune the tone of the reverb's decay. The  Fathom features 4 different algorithms. Hall - Wide, open and vast with decay that ends with high-frequency rolloff. X knob adjusts pre-delay. Plate - Full Body reverb with a smooth decay. X knob adjusts pre-delay. Lo-fi - Filtered reverb with decay ranging from warm, to thin AM-sounding radio. X knob adjusts filter width. Sonar -  Reverb fed with both a high and low octave with the ability to blend the octaves with the X knob. Momentary Functions: When the pedal is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of reverb. Releasing the switch turns the effect off. Press and hold the Sustain Switch while the pedal is on, to sustain the reverb decay for a dreamy ambient decrescendo. Trails Mode: To turn trails mode on or off, unplug the pedal and press and hold down the Bypass Switch for two seconds while plugging the pedal back in.

The Jupiter V2 has some new updates making it an even more essential fuzz to any player's signal chain. • Increase of gain on tap. • Adjusted volume control making it easier to dial in unity gain. • Altered tone control for improved high frequency response. • Added gate control via internal trim pot to tame noise, or to achieve the spatty "dying battery" tones. • Killer new artwork and a new coal sparkle powder coat on the enclosure. • Brushed Aluminum knobs The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass cut toggle switch for dialing in low end.

Tastefully updated in all the right places, the Luminary V2 expands its watchful eye for versatility in many genres and musical tastes. • Refined octave volume knobs • Lengthened attack time • Revised envelope low-pass filter • Tremolo effect on flutter knob • Added Smart Momentary Bypassing The Luminary is a powerful polyphonic quad octave generator with features for creating inspiring symphonic gusts of sound. Operating on the Analog Devices Sharc platform, the Luminary gives you the ability to dial in any combination of four separate octaves including -2, -1, +1, and +2, the user can craft many different complex sounds and textures with crystal clear and immediate octave tracking. The Luminary has three onboard presets available for saving your go-to sounds, as a well as live mode. This means the user can have up to four custom sounds available at any moment. Get epic steel sounds with the modulation control unengaged. You’ll find more experimental options with the filter control or a tremolo effect with the flutter control. Couple the Luminary with an expression pedal to expand its creativity even more. Extended Info Four octave options available -2, -1, +1, +2 – The four knobs across the top of the pedal control the level of each octave. With the Dry/Wet control, the user can explore the ground between minimum and 12 o’clock to keep the octave signal lower than your dry signal for subtleness. The territory between 12 o’clock and maximum keeps the user’s dry signal lower than unity for a boastful octave sound.The Attack control dictates how fast the octaves bloom after the initial attack. Allow the octaves to swell in gradually at a higher attack setting. Hear immediate octave response with the attack control low or off. The Filter knob controls the cutoff of a low-pass filter on the octave signals and also increases an envelope type effect at higher settings. The Flutter knob enables a tremolo effect that can be applied to the octaves. At zero, the tremolo effect is off. Increasing this knob engages the tremolo modulation and controls the rate of the effect. The expression control allows the manipulation of any combination of these options to allow the user to customize the effectiveness of the Luminary: -1 and +1 octave volume, +1 octave volume, Attack, Flutter, and Dry/Wet.

The first in the Mako series, the D1 is a powerful multi-function delay with five, studio grade, high-fidelity, custom tuned programs. The programs are Digital, Mod, Vintage, Dual and Reverse. Each can be tuned and tweaked with modulation, tone, age, and subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control and on-board presets. A workhorse of a delay that is just as ready for the road as it is the studio. Programs Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth. Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired. Mod - The Mod delay progam has unique modulation LFOs applied to the repeats that are random and run at multiple rates to create unpredictable pitch modulation. This results in very unique sounding repeats perfect for warping minds and scattering trains of thought. Vintage – The Vintage program allows for analog delay inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off low end. Dual - The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output and one set is sent to the right. The division switch has unique functionality in Dual mode. We’ll break it down for you below: In the quarter note position, the D1 offers 1/4 note and 1/4 triplet repeats. In the eighth note position, the D1 offers 1/8 note and 1/4 triplet repeats. In the dotted eighth note position, the D1 offers 1/4 note and .1/8 repeats. Reverse - The Reverse program reads the delay memory backwards creating a unique delay repeat character known as reverse delay. Presets The D1 is capable of saving up to nine on-board presets and up to 128 are accessible via midi. Onboard presets are accessible with the bank switch. Cycle between presets in each bank by pressing bypass and tap at the same time. You will see the tap LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple to show that you have edited the preset. Refer to the manual for accessing and saving presets via midi. Attack The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings. Bypass and Tempo Modes The D1 has three different bypass modes. True bypass, DSP+True Bypass (trails), and DSP Bypass. The D1 offers global and preset tempo modes. Global mode keeps the tempo the same when changing presets. Preset tempo will use the delay time that was stored when the preset was saved. Refer to the manual for more info on switching modes.

The R1 is an extremely powerful and versatile multi-function reverb that can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program can be tuned and tweaked and then saved to one of nine on-board presets. The R1 boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control, and up to nine on-board presets (128 via MIDI). Players of all styles and genres will be able to find eternal inspiration with the R1.   Programs   Spring - The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.    X knob adds a warm grit to the reverb decay.   Hall - The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays and higher X knob settings result in a massive wash of ambiance. Shorter decay and lower X settings allow for a more intimate reverb expression.   X knob controls the room's size; smaller at lower settings to larger room sizes as you increase X.   Plate – The Plate program emulates a smooth analog plate reverb with nice even diffusion inspired by famous plates like the EMT 140.   X knob adds in gentle warm grit to the front end of the program simulating driving a hot signal into the plate.   BFR - BFR is a no holds barred, big, f____, reverb. This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels. X knob controls the amount of diffusion applied to the multi-tap delays used to form the program. At lower X settings, you'll hear these delays bouncing around for a more textured sound. As you increase the X knob, the delays are diffused, creating a smooth texture, and lifting your riffs and chords into the atmosphere. See ya.   RFRCT (Refract) - The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a largely diffused reverb. The Rate controls on RFRCT change how often the glitch effects occur while Depth controls the overall volume of the glitch effect.   X knob is used to shape the tone of the glitch effect. At zero, the glitch effect will have a lo-fi, almost tape-like sound to them. Increasing the X knob brightens these elements with more pristine details.   Air - The Air program offers a larger diffused reverb with a subtle shimmer but has a more “crisp” clarity to its decay. Explore slow-building sounds that don’t get in the way of your playing. Air complements keys and synths as well.   X knob controls the amount of the wind and shimmer elements in the Air program. At zero the effect will be off. Turning clockwise will increase the volume of the air effect.   Presets The R1 can save up to nine on-board presets, and up to 128 are accessible via MIDI. On-board presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap at the same time. You will see the right LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple, indicating you have edited the preset. The R1 employs a powerful reverb engine that allows for the true preset spill over. When you switch presets, the new preset loads, and the previous preset is allowed to decay naturally.   Tune  Use the Tune knob to shape the amount of low and high frequencies in the reverb signal. The X position is unique to program-specific features listed above.   Tweak Each program can be fully customized to your taste and playing style with the Tweak knob. • Rate: Controls the rate of the LFO applied to the wet reverb signal. • Depth: Controls the Depth of the LFO applied to the reverb signal. • Pre Delay: Controls how long it takes after you play for the reverb to become audible.   Bypass Modes The R1 has three different bypass modes. True Bypass DSP+True Bypass (trails) DSP Bypass (trails)    Momentary Functions Press and hold the SUS/LATCH (Sustain/Latch) switch to momentarily sustain the current reverb and continue to play over it through the same reverb algorithm. No dry signal here! Clicking the SUS/LATCH switch lets you latch the present reverb decay while you play over it.

The Phoenix Clean Power Supply is a 15-output isolated power supply, utilizing two internal custom  wound toroidal transformers to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain possible. The Phoenix fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards. We recommend high profile dual lock for mounting the Phoenix under your board. The Phoenix comes in a durable frosted charcoal texture enclosure and can more than hold up to the demands of touring.

The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a  large range of tweaking and shaping options for your original tone. The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.

You are the artist. Your sound is the paint, and this is your canvas. The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.   Canvas Stereo is a Passive Line Isolator (LI) and Direct Injection (DI) device that converts your unbalanced signals into balanced signals for interfacing properly with your recording interface or mixer at front-of-house. If you’re using an amp-in-a-box (DSP Guitar Rig), like our ACS1, keyboards, or any other instrument utilizing both left and right outputs, then the Canvas Stereo is your new bridge to the front-of-house. The Canvas Series DIs pack everything you need from a DI/LI into a standard pedal-sized enclosure designed to look great right on top of your board. Needing a mono solution? Click here for the Canvas Mono. Canvas Stereo Features: Flat frequency response from 20Hz-20kHz Converts ¼” unbalanced input to XLR balanced output. Transformer isolated output. Sum switch  When disengaged (out), the left input connects to the left thru. The right input connects to the right thru allowing the use of stereo amplifiers. When engaged (in), Sum connects the left and right thru jacks together to combine the signals for running into a single amplifier (use either thru jack). Pad: Enables a -15dB input pad (Only in D.I. mode) for reducing hot signals in order to minimize distortion. D.I./L.I.: Choose between Direct Injection or Line Isolator modes (Out for DI, In for LI) GND Lift: Isolates the GND pin on XLR to help reduce hum if present. Leave out for normal operation. Custom wound transformers for low THD (Total Harmonic Distortion) and full frequency response. Direct Injection:  Use DI mode when connecting an unbalanced, high impedance source  (Electric Guitar, Bass Guitar, etc). The signal will be reduced by -20dB (-35dB with pad engaged) and converted to a balanced signal via the transformer connected to the XLR output. Use the gain on your mixer or preamp to bring up to line level. Line Isolator:  Use the LI when needing to connect your unbalanced, low impedance source (Amp + Cab Sim like the ACS1, keys, etc.). The signals will remain full volume and be converted to balanced signals via the transformer connected to the XLR output. Less preamp gain will be required in LI mode.  DI or LI? When deciding between DI or LI, check with the manufacturer of your gear to find the output impedance of the device you are wanting to interface. For a general guide: High Impedance = anything above 1k = Use DILow Impedance = less than 1k = Use LI Troubleshooting: This is a passive device, so you will not damage anything if connected improperly, but it could affect the signal level and frequency response if not connected properly. This is an easy thing to test since the LI/DI switch is built into Canvas. If you lose high-frequency information when using LI mode, then you should probably be in DI mode.

Stay in tune like a pro, customize your pedal, and stun your bandmates with the Walrus Audio Canvas Tuner. Featuring a rich, full-color LCD, the Canvas Tuner keeps its accuracy up to ±0.1 cent, so you’re always on your game. Sweetwater guitarists are astounded at the customization level of the Canvas Tuner — users can choose between Needle and Strobe modes, rotate the display in several permutations, select a custom display color, and even upload photos as a standby screensaver! The Canvas Tuner offers four different bypass modes, including true bypass and buffered pass-through, for high signal integrity when needed. The Canvas Tuner also has a hidden feature up its sleeve, TuneAssist, allowing you to tune faster from one string to another. You can also take advantage of a power pass-through jack to power other effects. Lastly, the Canvas Tuner can be updated via USB-C.

This is our take on capturing what is arguably the first and last word in all tube amp distortion for bass. The debate always starts and ends with the Ampeg SVT™. The harder you dig the more it growls. The connection between your hands and that kind of natural tube distortion is primal, immediate, powerful, and musical.

Vexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted models.

This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.

This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.

A 20-second analog phrase-sampling looper with very low fidelity, frequency response that cuts off at 2.6 kHz, brick-wall compression, hiss, distortion, and a warped-record vibrato feature that makes your guitar sound like an ancient radio transmission, but your direct guitar sounds especially sparkly.

A sub-heavy silicon fuzz with some new twists: An input impedance control (push/relax) that adjusts from passive pickupsto line level. It works very well for re-amping bass tracks that needto be fuzzed up after tracking and keyboards. There’s also a three-position sub control switch, a treble tone control, adjustable pulse width, and a wide fuzz depth control. More flexible than any silicon fuzz to date. Pedal Dimensions (LxWxH):  4.70" x 2.38" x 1.82"