Products

A Transparent modified delay based off of the PT2399 IC chip.  The Echopark EPD-1 is a digitally generated delay, with a true bypass and analog signal path. Modeled after the vintage  Echoplex Tape Delay, translated into MS (Milliseconds - .001 of a second). Looking down at the EPD-1. The right side pointer knob (MS) controls the Echo Delay, and is labeled with minimum (30MS), and Maximum (600MS). The graduation bar on the bottom is a key that shows you the graduation percentage of THD (total harmonic distortion) which becomes noticeable beyond  350MS, or beyond 1% THD, and graduates up to 3.5 % at 600MS. This is helpful in studio recording situations. The REP Knob on the left controls the Repeat Generation on the delay. MIX controls clean/delay saturation. 2.1mm 9VDC power in  - center  (9V internal Battery Option). Fully powder coated aluminum enclosure. HAND MADE IN USA.

The FQ12 Dual Range Bastard is equipped with individual true bypass switches for both boost and frequency selections.A discreet 6 position notched filter as designed in the early 50's. Custom wound inductor with the ability to select either 50% or 100% of the coil. allowing 12 separate tonal bandwidths to choose from.The Boost control can be accessed independently. Settings range from unity or clean boost to a powerful pre-amp style drive with no original tone loss. Harmonic richness. This unit allows the player access to do anything from a Revolver-era Vox tone to a Brian May tone and all points in between. The FQ12 creates a new palate of focused frequencies enabling the player to find and create within the confines of a multi-instrument ensemble, when boosting or adding more effect to your signal path is not working. Use for chord, single note and arpeggiated passages within a large group of instruments sharing similar frequencies or add actual tonal dimensions to your to rig without compromising your original Tone. Made in America.

A vintage spec Variatone on Steroids..!!Anothier fine innovation from Echopark. Create a plethora of tones, and give yourself the ability to filter out unwanted frequencies with a 5 position, on-board notch filter, then expand, boost, and distort from there, with 2 independent stacked Analog overdrives. This was originally a variant of our FQ-12, and custom pedal that I made for  Dweezil Zappa.  Notch filter (Front) is passive, and doesn't require power to work. Dial in 5 different analog tones ranging from .001uf to .1uf...use as a filter as well with other pedals that may be a little noisy. Channel 1 is a One Transistor clean boost, that has an overdrive control (front Right), that allows you to get clean boost, or OD, and everything in-between. Channel 2 is a separate One Transistor OD/Analog Fuzz. Stacked the produce an amazing, low noise distortion. With a Master output volume in the center, you can control the final Vol output, and mix from there. The Master Vol only works with Channel 2, or  combined channels on. Allowing you to switch from Distortion to Clean/OD by deselecting channel 2. Basically this is 3 invaluable pedals in one...all combined, it will blow your mind. Having an on-board Notch filter not only changes tones, but allows the user the ability to filter out the undesired squiels from high noise, stacked fuzz’s.  A must have for studio recording. You will wonder how you lived without this unit.. 

Pushing the envelope of distortion, the Echopark Nightmare is a combination of Clean Boost, Fuzz, Distortion, and Octave Down, sonically tuned to blend flawlessly together to produce amazing sustain for solos, bends, and fills. Looking down at the pedal. The top left knob is your Clean Boost (stand alone)/Sustain (when used with Hyper Distortion). The right top knob is a secondary Fuzz/Boost. The bottom center knob is the Hyper Distortion. Right footswitch is Sustain/Fuzz, Left footswitch is Hyper Distortion (center Knob). The Hyper Distortion works fully interactive with the controls on your guitar, as if they are connected. You will discover that the “fluctuating” pink LED responds to all variations of sounds that the unit produces, and substantially intensifies with the sustain, and auxiliary fuzz boost. The pedal is perfect for rendering your audience a snarling, yet controllable solo they will still be hearing for days to come..Custom billet aluminum knobs, powder coated/engraved chassis 9V DC, Center - , 2.1mm power jack, No Battery Terminal Inside, DC only, HAND MADE IN USA

A return to the fundamental elements of recording great guitar tones in the studio. Ribbon mic's love these low watt tone machines as proven by the tone's we love from the 50's, 60's and 70's. Often you just need a simple vehicle to get from A to B in a session - something that is part of the desk, something that inspires both creative freedom as needed or just plowing through recording tasks...Bullet proof and subtle in every way you need. Type: Tube  Number of Channels: 1  Total Power: 5w Speaker Size: 1 x 8"  Speaker: Jensen C8R Preamp Tubes: 1 x 12AX7, Tung-Sol Power Tubes: 1 x 6V6GT, JJ Rectifier Tube: 1 x 5AR4, JJ  Tremolo: No EQ: Passive tone control  Inputs: 2 x 1/4" (High/Low Treble) Outputs: 1 x 1/4” speaker out, 1 x 1/4” extension out, 1 x 1/4" line out Material: Sweet pine, walnut, maple Power Source: Fixed AC cable  Height: 10.75" Width: 17" Depth: 8.5" Weight: 11 lbs. 

The Model feT is a transistor-based preamplifier designed around the legendary Sunn Model T amplifier. Those who have played the original know that while it excels at heavy tones when pushed, it is far more than just an amp for stoner rock and doom metal. In fact, on its own it is a fantastic mid-gain amplifier with a tone that is dark, yet clear and present—making it an exceptional pedal platform. Most famous Model T tones come from putting a distortion or fuzz in front of the amp. Thus, the Model feT is designed to sound good on its own and with other pedals stacked in front. This pedal goes beyond the standard triode-to-JFET emulation approach with the inclusion of an emulated power amp. This broadens the range of gain and—in the true spirit of the original amp—allows for massive headroom and volume output. This greatly expands its capabilities beyond a typical drive pedal: the Model feT can be used directly into a power amp, cab simulation, or DAW.

The Elliott Guitars Thumper Amplifier combines a dynamic tweed-voiced front end paired with a full and toneful output section.  Featuring a Single Channel with individual Volume and Tone Controls, the amp allows the true tonal character of your guitar to shine through.  At lower volumes the amp gives you a clean touch sensitive feel.  At higher volumes the amp delivers a harmonic rich breakup that still allows the low end to stay nice and tight.  Whether you are boosting the front end with your favorite pedals or just plugging straight in, this little amp really delivers.  The tone of the amp is nicely rounded out by a 12” Celestion Alnico Gold speaker in a compact all pine cabinet.  All Elliott Amplifiers are hand-wired and built in the USA using the best components available.   Single Chanel 1x12 14 Watt Celestion Alnico Gold 12” 2 12AX7 Pre-amp Tubes 2 Apex Matched 6V6 Power Tubes USA Built Power and Output Transformers ¾ inch Yellow Pine Construction 100% Hand-Wired and Built in the USA 18” x 9” x 18” 34 lbs.

Imparting a dark and tape-like quality to your sound, this analogue delay offers a rich and distinct character for you to wallow in luxury, self-righteousness and filth.   Using the tone and feedback controls, you can shape your repeats to be much more than simple reproductions of the input. Play right on the threshold of feedback, which you can mold as a low thundering growl or screeching wail, or let your echo slowly die out as the dynamic output filter gets darker every repeat. A random delay time modulation adds a true tape feel to the delay, like a reel-to-reel motor spinning not quite perfectly. Full CV capabilities allow you to control delay time and/or feedback with any external source, like an expression pedal.  

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes. Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to. K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours. The water is shallow on this side of the pool. Do not dive and you will not drown.

Every operation needs an accountant, and your signal chain is no exception. This little guy will fit right in, no questions asked. Call upon his services to crunch numbers, cook your books and calculate ratios in all confidence that your shit will remain tight. We’re talking about a mostly utilitarian relationship here, but one of trust as well. Whether you enjoy slight, nuanced dynamics control or you just want to squeeze your signal into one dimension, you'll find a use for The Accountant. Featuring all analogue, JFET feedback compression, The Accountant works well with all signal sources; guitars, bass, vocals, synths, even whole mixes. A simple control interface allows you to change the threshold, compression ratio and makeup gain.

Gemini IV houses two distinct fuzz circuits in parallel. One pure silicon, one pure germanium, both epic. A fuzz-tweaker’s dream, allowing for so much fuzz creativity and inspiration, featuring a well-thought-out control set for maximum tweakability.

Cabzeus is a algorithm-based  speaker - cabinet - miking  simulator system. Connected direct to your gears this device enables you to obtain the sound of a miked-guitar amp cabinet without the hassle of miking your cabinets. Extending this basic function, we’ve built into Cabzeus a plethora of unique and powerful features that goes beyond simple speaker simulations. Stereo I/OCabzeus has 2 independent channels, each with its own input, thru, and output. Using a special software that we provide you can freely customize the simulation aspects (speaker type, cabinet type, mic placement, etc.) of each channel independently. To help you get the most of your stereo setup, we have also included powerful stereo processing functions such as : adding short delays (0.02 ms to 125 ms) to one of the channel. blending two simulation channels. independent volume and phase control.  2 Operating Modes : Stereo Cabs : simulates the process of close-miking two independent speaker cabinets. Each simulator channel has its own extensive set of parameters, including speakers and cabinet type selections, mic-placement , blending, phase, and volume, offering rich and versatile simulation scenarios for both live and direct-recording applications.   Stereo Mics : simulates the process of capturing the sound from a single speaker cabinet using two microphones, one mic is placed close to the speaker (close-mic) and the other is placed further back in the room (room-mic). An extensive set of controls offers flexible arrangements and powerful means to combine the two microphone signals into huge expansive stereo sounds. Balance of Analog and Digital.Cabzeus uses advanced DSP processing techniques coupled with clean and robust analog circuit designs which ensures optimal operating headroom and absolutely minimal noise. Each algorithm has been painstakingly hand-crafted and tuned to achieve faithful emulation of popular and proven speakers and cabinets, we literally spent hundreds of hours analyzing speakers data and an equal amount of time reconstructing their responses through complex algorithms.Speaker & Cab selectionSpeakers selections are organized into 4 classes: Guitar, Bass, Gears, and Miscellaneous. Integrated DI BoxYou can connect a wide range of input sources, ranging from your favorite stompboxes, preamps, your head amp's speaker out, to any music player (see Application Ideas). Its stereo balanced outputs are capable of driving long cables straight to mixing console or FOH speakers. These outputs are tolerant to phantom power, they will not be damaged by accidental application of phantom power. Key Features : Compact, stereo Speaker / Cabinet simulator + DI Box. 2 inputs - 2 thrus - 2 outputs (balanced) 8 Presets. Input Pads : 0dB (unity), -20dB or -30dB. Independent Mic Position controls. Deep algorithms editing via CabsLab® software. MIDI and External Switch Inputs for remote preset change. Stereo headphone out with volume control. Internal charge pump circuitry boosts 9V supply voltage to 18V for extended headroom. Specifications : Input impedance: 1 MOhm.   Output impedance: 300 Ohm.       Sampling rate : 48 KHz. DAC / ADC resolution : 24 bits. Current consumption : ~150 mA. Weight : 0.6 Kg (1.2 lbs). Dimension : 12 (L) x 9 (W) x 5.5 (H) cm Power source requirement : 9VDC (negative center).

Cabzeus MONO is a compact yet powerful speaker simulator + DI.Box pedal. It was developed as a single channel version of its stereo big brother, Cabzeus. Cabzeus Mono offers 12 Speaker algorithms modeled after the real-life counterparts, each algorithms has 4 variations (speaker size and cabinet type), for a total of 48 sounds to select from. Simple yet effective user interface lets you browse through the algorithm library and user presets with ease. The speaker simulation may be bypassed allowing you to use Cabzeus Mono as a straight forward DI Box. Headphone OutA headphone out with a dedicated volume control allows you to have a silent practicing session in the middle of the night. And to make your headphone listening experience more satisfying, despite only mono signal is available, we added a capability to insert an adjustable amount of short delay on the Right channel audio to widen the perceived stereo field. Integrated DI BoxYou can connect a wide range of input sources, ranging from your favorite stompboxes, preamps, your head amp's speaker out, to any music player (see Application Ideas). Its stereo balanced outputs are capable of driving long cables straight to mixing console or FOH speakers. These outputs are tolerant to phantom power, they will not be damaged by accidental application of phantom power. Key Features : Compact Speaker / Cabinet simulator + DI Box. Ports : Input, Thru, Outputs (balanced - XLR) 2 Presets. Input Pads : 0dB (unity), -20dB or -30dB. Mic Position control. Stereo headphone out with volume control. Internal charge pump circuitry boosts 9V supply voltage to 18V for extended headroom. Specifications : Input impedance    : 1 MOhm.   Output impedance : 300 Ohm.       Sampling rate : 48 KHz. DAC / ADC resolution : 24 bits. Current consumption : ~120 mA. Weight : 0.45 Kg (0.9 lbs). Dimension : 7.5 (L) x 9 (W) x 5.5 (H) cm Power source requirement : 9VDC (negative center).

Rossie is a dynamic multi-filter pedal, encompassing 3 essential tone-enriching filter effects: * Envelope Filter - a colourful resonant filter that follows your picking dynamics.* Step Filter - a groovy, arpeggiated filter with fully adjustable steps.* Manual Filter - great for static tone shaping or sweep-able wah-like effect using an expression pedal.Each filter mode offers 4 filter types: lowpass, bandpass, highpass, and peaking. Sweep range and resonance width are also adjustable. And on top of all of these, a dedicated Mix knob allows blending of wet and dry signal, this gives you total control of how much filtering effect is imparted on your guitar or bass signal.