Products

Enieqma is a multipurpose equalizer that packs a 5-band full parametric EQ, a ‘simple EQ class’ featuring 7 classic tone stacks (Baxandall, Tilt, Fender, Marshall, and Vox amps tone control, etc.), and a 3-band midrange equalizer that emulates the Pultec Midrange EQ processor. Enieqma offers unprecedented equalization capabilities in a pedal format

Orca packs four quintessential GFI System delay algorithms into a compact pedal that is straightforward and easy to use. Intuitive user interface coupled with an LCD screen make it a breeze to navigate through Orca’s vast sonic palette and features.Input/OutputOrca supports both mono and stereo input/output. Mono connection is made using standard TS patch cables while stereo connection is made via TRS patch cables (a splitter-Y cable may be needed). External controlA multi-purpose jack provides connection to an expression pedal or tap-tempo pedal.  Expression pedal input enables expressive control over delay parameters while external tap-tempo can be used for remote tempo control. 2 presets. 4 select delay algorithms. Mono / Stereo input and output. Expression pedal and tap-tempo input. Momentary action supported. Input impedance: 1 MOhmOutput impedance: 1K OhmDAC / ADC resolution: 24 bitsCurrent consumption: ~110 mAWeight: 0.6 Kg (1.6 lbs)Dimension: 12 (L) x 7.2 (W) x 5.5 (H) cmPower source: 9VDC (negative center)

Skylar packs four quintessential GFI System reverb algorithms into a compact pedal that is straightforward and easy to use. Intuitive user interface coupled with an LCD screen make it a breeze to navigate through Skylar’s vast sonic palette and features. Input/OutputSkylar supports both mono and stereo input/output. Mono connection is made using standard TS patch cables while stereo connection is made via TRS patch cables (a splitter-Y cable may be needed). External controlA multi-purpose jack provides connection to an expression pedal or tap-tempo pedal. Expression pedal input enables expressive control of reverb parameters, and the external tap-tempo can be used to control the tremolo speed in the Tremble algorithm. 2 presets. 4 select reverb algorithms. Mono / Stereo input and output. Expression pedal and tap-tempo input. Momentary action supported.  Input impedance: 1 MOhm.Output impedance: 1K Ohm.DAC / ADC resolution: 24 bits.

Cabzeus MONO is a compact yet powerful speaker simulator + DI.Box pedal. It was developed as a single channel version of its stereo big brother, Cabzeus. Cabzeus Mono offers 12 Speaker algorithms modeled after the real-life counterparts, each algorithms has 4 variations (speaker size and cabinet type), for a total of 48 sounds to select from. Simple yet effective user interface lets you browse through the algorithm library and user presets with ease. The speaker simulation may be bypassed allowing you to use Cabzeus Mono as a straight forward DI Box.

From Greer:The Tomahawk Deluxe Drive is a great medium gain “second stage” overdrive pedal. This beauty barks and snarls, but it can also lean back and simply shift your tone just a bit. This pedal CAN RUN ON 9 AND 18 VOLTS. Now that we’ve addressed that, let’s talk about some of the characteristics of this pedal. This pedal has a purposeful EQ shift that puts it squarely in the “tweed” type tonal range. At 9 volts, it compresses slightly, like the big box tweed amps do, but still has some stiffness to it, just like those wonderful tone boxes did. At 18 volts, this beaut y has increased headroom, AND becomes a bit more stiff, in a lovely way. The Tomahawk is a touch sensitive, dynamic recreation of this classic sound that has a natural and instantly familiar drive texture found on classic albums from so many genres. Grab a tomahawk and add this classic American tone to your tonal palette.

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  15mA @ 9v. Greer  Amps expands the XFR line with a new offering!  The Royal Velvet Class-A British Drive and Pre nails the feel and tone of two of Nick Greer’s favorite amps. Imagine a world in which a V*x 30 watter and a Greer Thunderbolt30 got together. In that world, you’d end up with a sound machine much like the Royal Velvet. This British drive and pre features the same transformer as the previously released, award winning SOMA63. After a year of working with this super versatile transformer, we have found a way to alter the feel of it by changing the “loading” of the transformer. This really brings the pedal to life, and makes it something truly unique in the space of drive pedals today. If you’re looking for that Class-A British grind with some chime on the top end, this beauty is what you need. The EQ is dialed in right between the AC and Thunderbolt30 tones, and the drive is oh so sweet. At 9 volts, you’ll get some grind and slight compression with the gain up and moderate output pickups. 18 volts provides more of a stiff feel, and more clean headroom with that British sparkle! Classic British tone, drive, and grind! Features a steel core transformer! Can be used as a preamp, and takes drives amazingly well (stack it--it sounds great when it's stacked with other drives)! True Bypass! Uses 9-Volt battery or standard neg. center, 2.1mm power supply. Built with top quality components Lifetime Warranty to the original owner!

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  10mA @ 9v, 18mA @ 18V.  A brave new  world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power section, and even the feel of the vintage 10 inch Utah speakers that were in those famous brown amps. The tone stack is designed to provide a wide and dynamic range of tonal options to the user. The Presence control works with the tone stack, and is designed to be a wide range control, effecting the overall sound of the entire circuit. The SOMA ’63 features a steel core transformer in the audio signal path. The transformer lends to the overall tone shaping of the circuit, and when the gain is pushed hard, especially with higher output pickups, the small steel core transformer will saturate, just like a vintage amplifier. The SOMA ’63 can be used as a tone-shaping preamp, or as an overdrive pedal. There are a wide variety of tones available in the SOMA ’63, so spend some time with your new pedal, and find the tones that rock your world! The SOMA ‘63 runs off of a standard, negative center pin 9 volt power supply, and can be ran off of up to 18 volts. At 9 volts, the SOMA ‘63 will have more grit and texture. At 18 volts, you can expect higher headroom, a bit stiffer response, and less overall grit. Greer Amps’ lifetime warranty covers manufacturing defects and component failure to the original owner, it does not cover misuse or abuse.

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  10mA @ 9v.   The Southland Harmonic Overdrive is built on the Lightspeed Organic Overdrive platform, we have developed what we believe to be the best overdrive on the market.  The Lightspeed was built with the specific purpose of being a light to mild overdrive.  The Southland is the next logical step for the Lightspeed platform—more gain, with two stages of clipping (utilizing different diode types for each stage of clipping), a focused midrange (not that annoying “hump”), and a bit of presence on top of the signal, to help cut through the mix.  The Southland Harmonic Overdrive, like the Lightspeed, is touch sensitive, responds to pick attack, and has dynamics that just won’t stop.  On top of that, we’ve selected a chip to drive the Southland that takes it to the next level.  The Southland Harmonic Overdrive will fit with any musical style, and pairs amazingly well with the Lightspeed Organic Overdrive.  If you're looking for two pedals that stack amazingly well together, and can give you a rich, harmonics-filled overdrive tone, then it's time to get a Southland Harmonic Overdrive, AND a Lightspeed Organic Overdrive, today!!! ***NOTE***We've been getting quite a few questions, about whether or not the Southland and Lightspeed cover the same territory.  The truth is that they don't.  The revoicing of the circuit to have more of a focus on the mids, and more presence in the top end, as well as the increase in gain of the circuit, push the Southland to a place that the Lightspeed doesn't get to...one of the primary goals with the development of the Southland was to create a pedal that was different, AND would work well together with the Lightspeed.  The combination of the Southland and the Lightspeed make for one of the most heavenly overdriven tones we've ever heard...and we're okay with that! Amazing mild to medium overdrive and crunch! Thick harmonics, amazing sustain! Focused midrange (without the annoying hump), and extended presence range, to help cut through the mix! True Bypass! Uses 9-Volt battery or standard neg. center, 2.1mm power supply. Built with top quality components Lifetime warranty to the original owner!

SPECIFICATIONS BODY: Two piece Spanish Cedar with Mahogany Top NECK: Maple with rosewood fingerboard, C profile - .860 at the 1st fret, .960 at the 12th. Fretwire is Jescar FW47095 PICKUPS: TV Jones Starwood Tele bridge and Powertron neck ELECTRONICS: 3 way switchcraft selector, 1 volume/2 independent tone controls, Bourns pots HARDWARE: Tuners - Grover open gear                       Bridge/Tailpiece - Trimmed edge vintage tele with In-Tune saddles FINISH: Satin Black Nitro ADDITIONAL: Momo case

SPECIFICATIONS BODY: Two piece Spanish Cedar with Black Walnut Top NECK: Maple with rosewood fingerboard, C profile - .860 at the 1st fret, .960 at the 12th. Fretwire is Jescar FW47095 PICKUPS: TV Jones Starwood Telecaster ELECTRONICS: 3 way switchcraft selector, 1 volume/2 independent tone controls, Bourns pots HARDWARE: Tuners - Gotoh                       Bridge/Tailpiece - Gotoh In-Tune Bridge FINISH: Satin open grain Nitro ADDITIONAL: Momo case

SPECIFICATIONS BODY: Alder NECK: Tinted one piece maple with stainless steel frets PICKGUARD: Single ply white PICKUPS: Anderson '59 ELECTRONICS: 5 way selector, 1 volume/2 independent tone controls HARDWARE: Tuners - vintage style split shaft                       Bridge/Tailpiece - vintage six screw FINISH: Black nitro ADDITIONAL: G&G hard case

SPECIFICATIONS BODY: One piece ash NECK: Tinted one piece maple with stainless steel frets PICKGUARD: Single ply black PICKUPS: Anderson Tele ELECTRONICS: 3 way selector, volume/tone controls HARDWARE: Tuners - vintage style split shaft                       Bridge/Tailpiece - Wilkinson vintage six screw FINISH: Black nitro ADDITIONAL: G&G hard case

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22