Products

The Millibar is a studio-grade optical compressor, designed to achieve optimal compression control on both guitar and bass alike.Inspired by the performance of the Universal Audio 1176 and Teletronix LA2A, we have managed to recreate and implement their characteristics in the Millibar, in terms of both, transparent compression and "tone-full" qualities.Your instrument’s will sound full, rich with harmonics, sustain and without any loss of sound frequencies.The Millibar utilizes separate controls for compression and sustain, which allows the user to choose from a range of dynamic combinations, suitable for

CHOOSE YOUR OWN LIQUID COMBINATION TO CREATE YOUR OWN SOUND! INCORPORATES GREEN ‘ANALYSING’ LED (TO SHOW SIGNAL PRESENT) INTERACTIVE LIKE NO OTHER PEDAL BEFORE – USE YOUR IMAGINATION TO DISCOVER YOUR OWN SOUND! RAINGER FX CUSTOM MINI-PEDAL ENCLOSURE – WITH NO SOCKETS ON THE SIDE! (NO – REALLY!!) SIMPLE – YET COMPLETELY INNOVATIVE!

A dual-mode effect pedal for the ages, Mr. Black's BloodMoon is a powerhouse of a reverb. Featuring two Mr. Black fan favorites, the SuperMoon Chrome and the BloodMoon, players now have the option to access either reverb for perfectly spacious and ethereal reverberated tones. Washes of awesome ambient reverb cascade from the BloodMoon with distinct voices for any player looking to explore the eerie side of reverb. A save/preset function gets those extra special sweet spots down for later implementation. With the light of the moon, you'll never lose your place! Light up the night sky and let the world know the moon is all yours.

he Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with the extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively)straightforward distorted guitar to shards of total insanity. This pedal is well at home making its own howls, chirps, growls, and sputters - harness the unruliest electric destroyer we make with the Supersonic Fuzz Gun.

SPECIFICATIONS BODY: Semihollow maghogany w/maple top NECK: Mahogany  - east indian rosewood with sterling silver ring markers and standard Dolphin carve PICKGUARD: Black PICKUPS: TroneBucker set  ELECTRONICS: 3 way selector, volume & tone controls HARDWARE: Tuners - Nik Huber 510 open gear w/tulip buttons                       Bridge/Tailpiece - Nik Huber Stoptail FINISH: Worn Copper top/open pore back/sides ADDITIONAL: Hard case

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.  Black Fountain V3 features: Tap tempo: set your tempo on the fly with two taps of a footswitch, and subdivide that tempo into quarter, eighth, or triplet notes Hidden function: hold the Tap footswitch to momentarily maximize feedback, leading to a nearly sound-on-sound effect Expression control: use an expressional pedal to control Time, Feedback, or both simultaneously Expanded delay time: all the way down to around 30ms and up to around 1s Modern, Organ, and Vintage mode give three different takes on the voice of the delay, and Fluid, Mix, Time, and Feedback knobs give control over the elements Black Fountain art by Sam Larson https://www.samlarson.com/

Designed with our friend Brian Hamilton from smallsound/bigsound for OBNE demo boards, we thought it a reasonable idea to offer every bedroom player a way to not annoy those around them.  Simply plug in the output of your pedalboard to the headphone amp, plug in headphones and blast your volume.  Play whatever you like, you're the only one who can hear.  Or a buddy can plug into the additional Headphone output.  Headphone output is mono out. Two 1/4 Headphone Output jacks allow two users to simultaneously listen. 9VDC ***Not to be used as a normal amplifier pushing cabinets.  Outputs are only intended for Headphone use.***

From Old Blood Noise:What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It’s the new multi-tool for effects lovers on stage and in studio. XLR preamp for use with microphone level signals Switchable saturation section with blend, volume, and tone controls Two independently controlled effects sections with modulations, delays, reverbs and octaves, and controls over mix and two parameters of each A send/return to patch in external effects Post-saturation dry output for mixing versatility Relay bypass switching with momentary or latching functionality and effects trails Standard 9VDC center negative power

The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in.  It’s delay. Into modulation.  And it’s weird.   A three-way toggle switch selects between three modes of modulated delay.STUTTER: A delay with a percussive tremolo on the trails.  WHIRL: A modulated delay adding chorus on the wet signal.  SHEER: A delay with increasing octaves on the repeats. Perhaps it’ll be strange enough in your hands.  Perhaps I’m underestimating your adventurous nature.  You sly dog.  Precocious Pup.  Get out of here.  Go get weird.   9VDC - 2.1mm negative center pin adapter.60 mA draw. The art of the Mondegreen comes from the illustrative ends of Jake Blanchard's mind. Check out more of his excellent work here: http://www.jakeblanchard.co.uk

Out of the hazy, sand blown distance, something comes forth.  Moving slowly, moving softly, it is seen and just as quickly lost.  It echoes in the open air, a voice on the wind.  It’s a Procession.  A cavalcade making its way through the deserts of a distant planet.  The sounds of another world.  Or something along those lines. Which is where the Old Blood Noise Endeavors Procession reverb comes in.  Its what we would use to create a science fiction soundtrack.  A strange mix of haunting reverb and three modulation settings, the Procession aims at inspiring something new, something fringe and something risky.The Procession's simple controls run the gamut of reverb soundscapes ranging from simple reverb to complex Sci-Fi filtery echo weirdness.  The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively.  The Speed and Depth knobs correspond with the selected modulation mode: Flange, Filter or Tremolo.The Procession has two footswitches.  The Bypass switch is your standard on/off True Bypass switch.  The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect.  This will sustain as long as the Hold switch is pressed.  If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.- 9VDC - 2.1mm negative center pin adapter.- 60 mA draw.- The Procession now features an expression out jack and clickless switching.  The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

TOKI is a fuzz and fuzzy driver designed to deliver a wide range of textured gain sounds. Use the trim control to create “fuzz as light overdrive” sounds, hit both bright switches for some 70s glam riffs, find somewhere in between where you want to hang out. Discrete front end and IC back end for a versatile hybrid-fuzz experience. TRIM is a passive pad at the beginning of the circuit. CMP is a capacitor load control that can tweak the top-end of the signal. PAD is a passive pad between discrete gain stages. GAIN adjusts the drive of the second discrete gain stage and LEVEL is the final output control. The output driver is after the level fader to ensure that output impedance remains consistent. TOKI maxes out at about 57 dB input-to-output gain, although internally it’s making more than that. It draws a little less than 100mA. TOKI can be used after a buffer or input driver (like EUNA), and also can function as an always-on input driver at the beginning of the board if you like warm guitar tones. It stacks great with FLWR, JFET and OAMP. It will drive heavy loads, making it equally happy at the end of your board. The same WHATEVER power input and relay-based switching as our other pedals, and instant-bypass whenever power is removed.

This pedal is the mini version of the Air Traffic Controller – but with a switchable filter. The overdrive circuit (not switchable) is from the (now discontinued) El Distorto, so this is actually a two-in-one pedal. With the filter on and some white noise blended in it gives a’ moogy-soloing’ hi-resonance funk sound, or a stinging and intense lead tone. Filter off gives our tweaked mid-rangey optimum fuzz (as loved by Billy Gibbons).White noise hiss is a feature often ignored in ‘synth’ pedals, but it can add a great texture to the tone. Here it’s blendable; have none at all, just a clear zing – or crank it up towards electro percussion….There’s also volume and drive controls, a ‘hi/lo’ resonance button, and an ‘incoming’ signal indicator. It’s powered by standard 9v PSU (centre earth) – not included.This is actually the most flexible pedal from Rainger FX, covering guitar sounds that range from chunky and straightforward, or with a more electro edge, through to noise-based percussion guitar.  

Rainger FX Break Box Distortion PedalThe Break Box distortion is a high gain drive pedal – with a few extra tricks up its sleeve!Based on the Rainger FX El Distorto overdrive pedal from way back in 2009, the Break Box has the back half of a Tonebender added to it, the circuit taken directly from the Freakenbender – our Colorsound collaboration. The result is a stompbox with lots of low-end, good amounts of mids (not scooped), and some searing highs. Distortion goes from a light crunch to a high-intensity heavy distortion.Active sustainHold any note and chord for a second or more, and a chorus effect fades in – audibly growing the sound. This pedal has active sustain, transforming it from in-your-face dry chunky attack into a 3D room-like churning howl! It’s like a wave coming from behind and pushing you on…..You can adjust the chorus speed – from a slow twist to a fast psycho-wobble. Every long note-bend in a solo has extra flavour and meaning, every feeding-back chord now has movement. Because of the delay in the chorus appearing, you can play fast chords or note clusters – keeping all the accuracy and precision of modulation-free sound – with a glorious chorus bloom fading in on the longer-held bits.However, even with all this going on the Break Box is totally quiet when it should be; a noise gate unobtrusively shuts down any hiss and hum when you’re not playing.

  DIGITAL DELAY WITH 1 SECOND MAXIMUM DELAY TIME TWO BUILT-IN FULLY-TUNABLE DRONES FOR INSTANT ATMOSPHERIC BACKING CAN SWITCH BETWEEN TWO NOTES ON-THE-FLY DEEPLY COOL 7-SIDED CUSTOM ENCLOSURE ONE-TONE-DOWN SPOT EFFECT PITCH RAMP-UP FOR MAJOR/MINOR MODES AERIAL VIEW OF DYSTOPIAN CITY LURKING INSIDE! (1:1780 SCALE!) CHORUS EFFECT FOR EXTRA TONE GENERATOR ‘MOVEMENT’ ‘DRY GUITAR’ OPTION FOR PEDAL USE PURELY AS A SOUND SOURCE TURN DOWN THE DRONE SECTION STRAIGHTFORWARD DELAY PEDAL FUNCTION