Products

  Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Spanish Cedar and Korina Top: Plaine Maple, Easter Flame. 4A Flame Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Block or Trap Radius: 12” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Tone Pros Nashville + Stop Tail Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: RNRR Humuckers or Mojo Tone Filter Trons Pickguard Options: 5 Ply Black, Parch, Tort, 1 Ply Black Standard Nobs: Nickel, Bell or Speed Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

SPECIFICATIONS BODY: Mahogany/Maple top NECK: Mahogany 60's PICKGUARD: Cream single ply PICKUPS: Mojotone  ELECTRONICS: Emerson/ 2 volume, 2 tone HARDWARE: Tuners - Kluson vintage style tulip buttons                       Bridge/Tailpiece - Advanced Plating/Bigsby FINISH: Black over gold top ADDITIONAL: G&G hard case

  Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Spanish Cedar and Korina Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Block Radius: 12” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Resomax Wrap Around Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: RNRR Humuckers, P90’s or Filter Trons Pickguard Options: None Standard Nobs: Nickel, Bell or Speed Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

  Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Korina or Flame Top Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Dot Radius: 12” Scale: 30.5 Neck Profile: .8 @ First Fret Frets: 20 Jescar medium .047″x.095″ Nut Width: 1.5” String Nut: Graph Tech Bridge: Advanced Plating Assembly Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: Lollar Pickguard Options: 5 Ply Black, Parch, Tort, 1 Ply Black Standard Nobs: Nickel, Bell or Speed Strings: Dunlop Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

  Body + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Korina or Flame Top Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Dot Radius: 12” Scale: 30.5 Neck Profile: .8 @ First Fret Frets: 20 Jescar medium .047″x.095″ Nut Width: 1.5” String Nut: Graph Tech Bridge: Advanced Plating Assembly Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: Lollar Pickguard Options: 5 Ply Black, Parch, Tort, 1 Ply Black Standard Nobs: Nickel, Bell or Speed Strings: Dunlop Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

dy + Neck Finish: Nitrocellulose lacquer Body: Mahogany, Spanish Cedar and Korina Neck: Mahogany, Maple and Korina Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Dot Radius: 12” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Tone Pros Wrap Around Tuners: Kluson Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: Single or two RNRR P90 or Humbucker Pickguard Options: 5 Ply Black, 5 Ply Parch, Tortoise, 1 Ply Black Standard Nobs: Bell Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

  ody + Neck Finish: Nitrocellulose lacquer Body: Mahogany Top: Plaine Maple, Easter Flame Maple and 4A Flame Maple Neck: Mahogany or Maple Fingerboard: Rosewood, Mac Ebony or Ebony Inlays: Block, Trap or Dot Radius: 12” Scale: 24.75 Neck Profile: 59 or 60’s Frets: 22 Jescar medium .047″x.095″ Nut Width: 1-11/16” String Nut: Graph Tech Bridge: Tone Pros Nashville + Stop Tail Tuners: Ratio By Graph Tech Capacitors: Paper & Oil .022 Potentiometers: CTS 500K Pickup Options: Mojo Tone Filter Trons, Humbuckers or P90’s Pickguard Options: Silver, Gold, Black, Cream, Parchment Standard Nobs: Nickel, Bell or Speed Strings: D’Addario 10-46 Custom Case: TKL Hardshell Case Candy: Certificate of authenticity, guitar picks, shop rag, spec tags + sticker

Inspired by the incredible response to the Voyager I tremolo, Spaceman has carefully extracted the drive and tone-shaping elements to create the Apollo VII. Familiar sounds and new features collide in this explosive design.The simple control interface houses refined features while offering the highly regarded tone of the original. As a tribute to the Apollo VII, NASA's first three-person space mission, there are three controls: level, gain and tone. Each has been optimized to offer a wide variety of sounds, with up to 40dB of gain on tap. The toggle switch also provides three options: LED clipping, silicon diode clipping, and no diodes. LED clipping offers mid-range focused grit - this is the sound of the Voyager I. Silicon diode clipping provides a more compressed and aggressive sound with a smoother decay tail. With no clipping diodes in circuit, the Apollo VII becomes much more touch-sensitive and will growl and bark with astounding dynamic variation.Hand-wired and built in Portland, Oregon, the Apollo VII features true-bypass relay switching with a soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space. Features: - Three controls: level, gain and tone- Optimized to offer a wide variety of sounds- Up to 40dB of gain on tap- Three option toggle switch: LED clipping, silicon diode clipping, and no diodes

The Aurora is an analog flanger pedal that spans a spectrum of classic-sounding flanger tones to wild new experimental ones. This pedal is loaded with a great number of utilizations for whatever flanger tone you are on the hunt for. The Aurora features three modulation types across five settings accessible via the center knob. Two LFO modes, two tape modes, and one unswept comb filtering mode come together in a pedal that provides you with an enormous amount of freedom to tonally explore. The flanger effect can range from a quirky sweep to a blaring siren easily to cover a large amount of ground. Additional functions include a Trigger switch to uniquely interact with each of the five modes and controls to dial in additional forms of modulation. These settings can bring out some chorus or vibrato-like modulation when keyed in on. The Aurora is a pedal that is begging to be played while you sit back and enjoy your next flanger venture.

PRODUCT DESCRIPTION The Spaceman Delta II is a powerful optical harmonic tremolo with extensive tone shaping and rhythmic capabilities. The novel LFO enables its pilot to craft harmonic, and traditional tremolo sounds that stagger, hop, buzz, beat, and swirl with unparalleled variety using a brilliantly simple interface. Soar through the sonic scenery as evolving rhythms throb and pulse through your consciousness like stars flickering across the cosmos. TRULY HANDCRAFTED Hand-wired and built in Portland, Oregon, the Delta II features true-bypass relay switching with a soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.

Expand Your Sonic Horizons With Enhanced Modulation And Mixing Capabilities - The Spaceman Effects Artemis Modulated Filter Pedal The Artemis represents a reimagining of one of the oldest, most prominent families of effects: Filter pedals. Featuring a 2-pole state-variable design with high-pass, band-pass, and low-pass outputs and enhanced modulation and mixing capabilities, the Artemis is a new vector to expand your sonic horizons. A host of animation possibilities from conventional to bizarre await you via the 7-mode modulation bus. From there, Artemis offers the unique ability to access each filter response individually or in tandem, presenting an unparalleled level of custom tone shaping ability. Plug in to an Artemis and explore a distant shore of your creative Sea of Tranquility. Simultaneous HP, BP, and LP output Notch filter and custom filter responses possible for phased and vibe-like tones Up to 10dB of boost per output, with infinite cut 15Hz-5kHz corner frequency range Modulation may be disabled for use as a 3 band EQ Additional control via external expression pedal or CV

The Spaceman Effects Sputnik III is a unique all-germanium fuzz featuring vintage Soviet transistors. Offering an uncommonly wide range of fuzz tones, it truly runs the gamut: smooth, gritty, vintage, modern, thick, thin, buzzy, bassy, splatty, sputtery, noisy, velcro-ripping, controlled, or completely off the rails. Astonishingly responsive and versatile, the Sputnik III is ready to transport you into a universe of grit, chaos and corruption.  

The Polaris is a low to medium gain overdrive with a unique set of features. Building on top of an impressive overdrive, the Polaris features a unique filter feature accessible via the Filter control or expression pedal connection. Three filter options allows you to dive in and interact with the Polaris directly and sweep through different filtered voices. The Polaris introduces a distinct layering effect with the Initial control that can be used to mix in your pre-filtered overdrive tone for some fuzzy undertones as you play along. With unique tonal settings and plenty of experimentation to be had, the Polaris invites you to get in on the spacious, overdriven action.

Spaceman Titan II Fuzz Effects Pedal The Titan II Fuzz Machine is a unique discrete circuit using silicon transistors.  Despite only having three control parameters, the Titan II packs a wide array of distinct tones within its cast aluminum shell. Named after the NASA rocket that launched the Gemini manned space missions, the Titan II has arrived to blast your tone into the stratosphere! FUZZ, DISTORTION, OVERDRIVE… The Titan II is a unique discrete circuit using silicon transistors. Despite only having three control parameters, the Titan II packs a wide array of distinct tones within its aluminum shell. At full bore, you will get splatty, nasty fuzz tones; but the wide-range Gain control also delivers great low gain tones that start to crossover into overdrive territory. Furthermore, in-between these extremes exist fuzz-tinged distortion tones as well. SIMPLE CONTROLS, COMPLEX RESULTS For even more tonal variety, the Titan II cleans up nicely with the volume on your instrument, adding additional levels of fuzz textures and expression. The Tone control offers a complex tonal shift, allowing the Titan II to cover an incredible range of tone and texture. The Titan II sounds awesome with standard, bass and baritone guitars, as well as most things you plug into it.  

An overdrive for guitarists needing their amp to sound great at any volume. The all jFet design stacks well with other overdrives, pushes your tube amp for more sustain, and  most importantly sounds great on its own through a clean amp at any volume.