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What's Included:- 4 Creation Solderless Right Angle Plugs

Our Instrument Cables are a workhorse cable. From our ultra flexible and low capacitance 6mm CMC-06 Professional Instrument Cable to Proprietary Ends with a classy lightbulb logo laser etched in each side. This cable checks all the boxes. No outrageous claims or snake oil, just crystal clear signal for outstanding tone. Features:- Hand soldered by humans- Flexible CMC-06 Pro Instrument Cable- Proprietary Creation Music Plugs- Laser Etched Logo- Includes Creation Cable Wrap How we measure our cables - We measure our cables by the distance between the edge of the plug to the edge of the opposite plug.  

This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance.  CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing.  Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it.  SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to one of five selectable post-amplifiers for five wild and unique fuzz tones. Toggle through its five signal paths and choose your desired apocalyptic sound. To further refine this beast, control the Sweepable Frequency Equalizer and carve your tone out just the way you like it. Use this pedal as a boost for solos, an amp simulated recording DI, your main fuzz sound, a bass blitzer, or run anything into it you want to beef up, blast out, destroy, or supercharge!!

The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before. DISTURBANCE’s controls allow for a wide range of sounds to be sculpted perfectly to your needs. The ‘Tensity’ knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options. The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other. But that’s not all - the pedal introduces a brand-new way to control an effect: The custom-designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in. Go forth and DISTURB and bend, break, and twist your sound!

A powerful, ethereal delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly warbled, turn up the fuzz and pulverize it into delayed, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. CONTROLS Master: Sets the overall volume. Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss. Delay: Sets the volume of the delayed signal. D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1.2 seconds. Long delay times can create flutter, noise, and distortion.  FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation.  Left Toggle:  Up for clean blend,  down to kill the dry signal and hear only the repeats. Speed: Controls how fast the modulator runs.  Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones! Right Toggle:  Up for a smoother modulator waveform,  down for a sharp, square-shaped wave. . SPECIFICATIONS  Dimensions: 5.87" x 4.72" x 2.35" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 40 mA.  

Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound.  The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount. 

Psycho HP/BP/LP filter with LASER ETCHED ENCLOSURE. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds. The EVIL FUZZ is just that total balls to the wall or balls to the wall times 2 with blooming inverted compression. The CV/Expression in enables you to move the filter up and down in sync with an arpeggiating synth or control it with an expression pedal.   Sounds amazing with synth, guitar, and amplified skateboard.

Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. This Death By Audio pedal has hand spray-painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

The Interstellar Overdriver Deluxe consists of two amazing, fully analog, Interstellar Overdriver pedals featuring additional, revamped options! Not only can you create unearthly overdrive sounds by routing the first channel into the second, but there are 5 additional options on the second channel to give you a huge range of overdrive / fuzz tones. A pleasant boost, a squealing lead, a chopped out glitch, a jet rocket lift-off; this is the pedal to blast your sound into the cosmos!  CONTROLS  Master: Controls the volume of the circuit of the corresponding side  - left MASTER controls the left side volume and right MASTER controls the right. Drive: Sets the amount of drive for the corresponding circuit.  Rotary Selector:  1: Thin Drive 2: Normal Interstellar Overdriver 3: Bass Overdriver 4: Super Oscillating Fuzz 5: Octave Fuzz 6: Envelope Controlled Tremolo NOTE: Channel 1 is activated with the right side footswitch and adjacent controls,  always remaining the Interstellar Overdriver circuit. Channel 2 on the left, however, can be altered with the rotary to become something completely new. Both sets of controls will interact with one another to produce new, insane tones depending on which rotary position is selected - everything from piercing overdrive, to oscillations, and choppy trem. . SPECIFICATIONS  Dimensions: 5.71" x 4.89" x 2.54" (including hardware). Weight: 21 oz.  Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 2 mA.

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. CONTROLS Vol: Controls the master output volume. Altitude Control:  This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb: Blends in the amount of reverb. Dark/Light Symbol:  Dark cavernous reverberation to  bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** . SPECIFICATIONS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.

The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches. Highlights Volume: Controls master volume. Control Knob: Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator. Dimensions: 5.9" x 4.75" x 2.75" (including knobs and jacks). Weight: 17 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Note: Requires a dedicated power supply and will not work with any daisy chain power system. Current Draw: 23 mA.

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS  FREQ: Controls the frequency parameter of the current mode. DEPTH: Controls the depth parameter of the current mode. TIME: Controls the reverb time in all modes. DRY: Controls the volume of the dry signal, from -inf to 20x gain. FX: Controls the volume of the reverb signal, from -inf to 20x gain. ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions: 5.95" x 3.86" x 2.96" (including hardware). Weight: 18 oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter). Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or Tknobs when ALT mode is engaged and when an expression pedal is plugged in.

The Death By Audio Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out utilizing specially matched transistors turned backwards to get its bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. The combination of allow a vast universe of fuzz/distortion/buzz/grind/bleeps/synth sounds and soundwave manipulation. The exact positions of the knobs yield completely different sounds. Be forewarned, it is only balls to the wall fuzz all the time.  

The SPACE BENDER chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time. Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger. Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the SPACE BENDER serves as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes. See you on the other side!