Products

Made from the EXACT same cable as our standard straight guitar cables, absolutely no compromising went into this coiled guitar cable. Most coiled guitar cords on the market are not manufactured with the same exacting standards my clients have come to know and expect from my work. This coil instrument cable is a product I happily stand behind. This coiled guitar lead maintains it’s curly shape through the pushing and pulling of rigorous use. Unlike every other curly cable on the market, this cable will not fail. All of our curly cables are made with 30 feet of cable and can be made with either black, red, white, purple, or orange PVC jackets. 20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. Semi-conductive PVC covering reduces Tribo-Electric Noise and provides clean, low-noise performances, without microphonics. Low capacitance (30 pF/FT) provide a rich warm tone, not bright, harsh or brittle- the result of overly low capacitance- and not too dull or muddy- caused by too high of a capacitance. The oxygen free copper used in our cables delivers the purest sound quality while remaining flexible and noise free. Thick (.280”), heavy-duty PVC outer jacket designed to withstand the rigors of heavy use while maintaining flexibility. Every cable is soldered by hand using the highest quality silver solder. Available in G&H Industries or Neutrik silentPLUG* plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable. All of our curly cables can be made with either black, red, white, purple, or orange PVC jackets.

The output of your amp is opposite of the guitar’s signal; low impedance high power. Our high-end speaker cable is made to carry a relatively high AC current and voltage from the output of your amp to the speakers. Optimal signal flow is achieved by using large diameter cable from the amp to the speakers, that’s why thin gauge speaker wire is for suckers! Made from 10 AWG (oversized straight connectors) and 12 AWG (oversized right angle connectors) stranded Oxygen Free Copper which offers very low capacitance and inductance for a pure clean warm sound The twisted-pair wire construction eliminates hum The only cable manufacturer to offer oversized right angle ends on 12 AWG wire offering a lower profile on the backs of amp heads and cabinets (12 AWG wire only) Every cable is soldered by hand using the highest quality silver solder G&H Plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable

Every cable that I make is cut, soldered, and assembled by hand in Portland, Oregon. I use only the highest quality products to ensure that you get the most out of your equipment. Everything from the thick, heavy-duty PVC jacket on my proprietary cables, to the highest quality silver solder to secure components is done to create a reliable, great sounding, high caliber product that you can trust. Thus we give you cables made for the tortures of touring with the assurance of performance. All of our straight cables can be made with either black, red, white, purple, or orange PVC jackets. 20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. Semi-conductive PVC covering reduces Tribo-Electric Noise and provides clean, low-noise performances, without microphonics. Low capacitance (30 pF/FT) provide a rich warm tone, not bright, harsh or brittle- the result of overly low capacitance- and not too dull or muddy- caused by too high of a capacitance. The oxygen free copper used in our cables delivers the purest sound quality while remaining flexible and noise free Thick (.280”), heavy-duty PVC outer jacket designed to withstand the rigors of heavy use while maintaining flexibility. Every cable is soldered by hand using the highest quality silver solder. Available in G&H Industries or Neutrik silentPLUG* plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable. All of our straight cables can be made with either black, red, white, purple, or orange PVC jackets.

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...

Blumes™ is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge.

The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs! Since tone is in the hands, we decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?

The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed! Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.

 Aqueduct® is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye.

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

This is not your run of the mill chorus pedal. This compact, beautifully cased wonder is a three-voice chorus with six programmable presets and expression control. Choose from Vibrato Mode, Chorus Mode, and Rotary Mode and manipulate their Width, Rate, and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. One simple tap of the Preset (“Save/Recall”) switch and you can summon up to six settings of your choosing at will. Inspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. And by popular demand, we’ve equipped this with an expression control so you can use any TRS expression pedal to manipulate the Width, Rate or Balance. Put it in Vibrato Mode and you’ll have a really subtle chorus with a seasick vibrato and alternate quickly between the two seamlessly. And that’s only one mode. The possibilities are endless.

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...  

The Chelsea pedal brings the legendary fuzz tone of LCD Soundsystem's bass to your setup. With rich, powerful distortion and incredible versatility, it delivers everything from smooth overdrive to massive, grinding fuzz—all in a reliable, road-ready design. Whether you're chasing that iconic bass sound or pushing your guitar into new sonic territory, Chelsea is ready to deliver. Developed in close collaboration with James Murphy, Chelsea recreates the magic of a long-lost vintage-style fuzz pedal that became an essential part of LCD Soundsystem's sound. It's heavy but not overpowering, clean but still raw, with just the right amount of grit. No matter what you plug into it, Chelsea offers the same clarity, punch, and depth that made the original pedal a legend.

This version of the Disaster Transport pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner mixing section; it's now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing.A Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the Stretch option gives you loads of pitch-stretching modulation to run wild with. The added Mod Speed three-position toggle switch offers Slow (S), Fast (F), and Medium (M) settings.

The Dispatch Master is a hi-fi digital Delay & Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial. The best-selling EarthQuaker Devices pedal just got bester [sic] with new Flexi-Switch® Technology! Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.